{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":52,"n_cols":5,"rows_kept":52,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[5,2,5,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[11,2,11,3],[19,2,19,3],[20,2,20,3],[24,2,24,3],[27,2,27,3],[27,4,27,5],[28,2,28,3],[28,4,28,5],[29,2,29,3],[29,4,29,5],[30,2,30,3],[32,2,32,3],[33,2,33,3],[34,2,34,3],[35,2,35,3],[36,2,36,3],[44,2,44,3],[45,2,45,3],[49,2,49,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910456105303321"]
[null,null,"Autore",null,"Mills David <1938->"]
[null,null,"Titolo",null,"Recycling the cycle : the city of Chester and its Whitsun plays / / David Mills"]
[null,null,"Pubbl/distr/stampa",null,"Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1998"]
[{"$nulls":4},"©1998"]
[null,null,"ISBN",null,"1-282-02936-3"]
[{"$nulls":4},"9786612029363"]
[{"$nulls":4},"1-4426-7908-5"]
[null,null,"Descrizione fisica",null,"1 online resource (296 p.)"]
[null,null,"Collana",null,"Studies in Early English Drama ; ; 4"]
[null,null,"Disciplina",null,"822.051609"]
[null,null,"Soggetti",null,"Mysteries and miracle-plays, English - England - Chester - History and criticism"]
[{"$nulls":4},"Christian drama, English (Middle) - History and criticism"]
[{"$nulls":4},"Theater - England - Chester - History - Medieval, 500-1500"]
[{"$nulls":4},"English drama - To 1500 - History and criticism"]
[{"$nulls":4},"Bible plays - History and criticism"]
[{"$nulls":4},"Cycles (Literature)"]
[{"$nulls":4},"Electronic books."]
[{"$nulls":4},"Chester (England) History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Preface -- Abbreviations -- Play Manuscripts -- 1. Approaches to Early Drama -- 2. Time and Space in Tudor Chester -- 3. Writing the Record -- 4. A Spectrum of Ceremonial and Entertainment -- 5. The Midsummer Celebrations -- 6. Religious Feasts and Festivals -- 7. Professionalism, Commercialism, and Self-Advertisement -- 8. The Past in the Present: The Text of the Whitsun Plays -- 9. Manuscripts, Scribes, and Owners -- 10 .Medievalism and Revival -- Postscript -- Notes -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","A consciousness of the past has been an essential determinant of community in the city of Chester, England. This awareness and fascination has been bolstered by a strong civic tradition of drama. In particular, the city's Whitsun Plays have been a vehicle for communicating the myth of the city's medieval heritage, helping to "]
[{"$nulls":4},"reinforce the sense of history that is part of Chester's identity.Building up the material in REED: Chester, David Mills has produced a detailed study of Chester's Whitsun Plays in their local, physical, social, political, cultural, and religious context. A continuum has survived between the Middle Ages and the present day, providing not only an understanding of the plays themselves, but a narrative of the ways in which manuscripts survive and the functions that they serve. The continued performance of these plays is significant of modern play revivals as a political and sociological phenomenon, demonstrating the power that these rituals and plays still hold.›Recycling the Cycle is not only a look at how medieval and Renaissance cultural traditions developed and were maintained over centuries, but an insight into how those traditions can stay fresh and relevant, even today."]
[null,"2.","Record Nr.",null,"UNINA9910460205403321"]
[null,null,"Autore",null,"Clare Ralph <1975->"]
[null,null,"Titolo",null,"Fictions Inc. : the corporation in postmodern fiction, film, and popular culture / / Ralph Clare"]
[null,null,"Pubbl/distr/stampa",null,"New Brunswick, New Jersey ; ; London : , : Rutgers University Press, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"0-8135-6589-8"]
[null,null,"Descrizione fisica",null,"1 online resource (261 p.)"]
[null,null,"Classificazione",null,"HU 1819"]
[null,null,"Disciplina",null,"813/.5093553"]
[null,null,"Soggetti",null,"American fiction - 20th century - History and criticism"]
[{"$nulls":4},"Capitalism in literature"]
[{"$nulls":4},"Corporations in literature"]
[{"$nulls":4},"Industries in literature"]
[{"$nulls":4},"Motion pictures - Social aspects - United States - History - 20th century"]
[{"$nulls":4},"Motion pictures - United States - Plots, themes, etc"]
[{"$nulls":4},"Postmodernism - United States - History - 20th century"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Acknowledgments -- Introduction: From Manchuria to Manchuria Inc. -- 1. California Dreaming: Twentieth-Century Corporate Fictions at the End of the Frontier -- 2. \"Domo Arigato, Mr. Sakamoto, for the New Non-Union Contract!\": (Multi)national Threats and the Decline of the American Auto Industry in Ron Howard's Gung Ho -- 3. Good Times, Bad Times . . . You Know I Had My Share(s): The Corporation in Five Popular Films -- 4. A Capital Death: Medicine, Technology, and the Care of the Self in Don DeLillo's White Noise -- 5. Family Incorporated: William Gaddis's J R and the Embodiment of Capitalism -- 6. Your Loss Is Their Gain: The Corporate Body and the Corporeal Body in Richard Powers's Gain -- Conclusion: Corporate Hegemony, Cubed -- Notes -- Works Cited -- Index -- About the Author"]
[null,null,null,"Sommario/riassunto","Fictions Inc. explores how depictions of the corporation in American literature, film, and popular culture have changed over time. Beginning with perhaps the most famous depiction of a corporation-Frank "]
[{"$nulls":4},"Norris's The Octopus-Ralph Clare traces this figure as it shifts from monster to man, from force to \"individual,\" and from American industry to multinational \"Other.\" Clare examines a variety of texts that span the second half of the twentieth century and beyond, including novels by Thomas Pynchon, William Gaddis, Don DeLillo, Richard Powers, and Joshua Ferris; films such as Network, Ghostbusters, Gung Ho, Office Space, and Michael Clayton; and assorted artifacts of contemporary media such as television's The Office and the comic strips Life Is Hell and Dilbert.  Paying particular attention to the rise of neoliberalism, the emergence of biopolitics, and the legal status of \"corporate bodies,\" Fictions Inc. shows that representations of corporations have come to serve, whether directly or indirectly, as symbols for larger economic concerns often too vast or complex to comprehend. Whether demonized or lionized, the corporation embodies American anxieties about these current conditions and ongoing fears about the viability of a capitalist system."]