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[null,"1.","Record Nr.",null,"UNINA9910460139303321"]
[null,null,"Autore",null,"Petrov Petre"]
[null,null,"Titolo",null,"Automatic for the masses : the death of the author and the birth of Socialist realism / / Petre M. Petrov"]
[null,null,"Pubbl/distr/stampa",null,"Toronto, [Ontario] ; ; Buffalo, New York ; ; London, [England] : , : University of Toronto Press, , 2015"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"1-4426-1693-8"]
[null,null,"Descrizione fisica",null,"1 online resource (325 p.)"]
[null,null,"Disciplina",null,"700.94709/041"]
[null,null,"Soggetti",null,"Socialist realism"]
[{"$nulls":4},"Modernism (Aesthetics) - Soviet Union"]
[{"$nulls":4},"Socialist realism in art - Soviet Union"]
[{"$nulls":4},"Modernism (Art) - Soviet Union"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages [281]-300) and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Introduction -- Part One -- Chapter 1. The Imperative of Form -- Chapter 2. The Imperative of Content -- Chapter 3. Knowledge Become Practice -- Chapter 4. The Organization of Things -- Chapter 5. The Organization of Minds -- Part Two -- Chapter 6. The Anonymous Centre of Style -- Chapter 7. The Unbearable Light of Being -- Chapter 8. Ideology as Authentication -- Chapter 9. The Blind, the Seeing, and the Shiny -- Chapter 10. Life Happens -- Notes -- Works Cited -- Index"]
[null,null,null,"Sommario/riassunto","At the end of the 1920s, the Modernist and avant-garde artistic programmes of the early Soviet Union were swept away by the rise of Stalinism and the dictates of Socialist Realism. Did this aesthetic transition also constitute a conceptual break, or were there unseen continuities between these two movements? In Automatic for the Masses, Petre M. Petrov offers a novel, theoretically informed account of that transition, tracing those connections through Modernist notions of agency and authorship.Reading the statements and manifestos of the Formalists, Constructivists, and other Soviet avant-garde artists, Petrov argues that Socialist Realism perpetuated in a new form the Modernist \"death of the author.\" In interpreting this symbolic demise, he shows how the official culture of the 1930s can be seen as a "]
[{"$nulls":4},"perverted realization of modernism's unrealizable project. An insightful and challenging interpretation of the era, Automatic for the Masses will be required reading for those interested in understanding early Soviet culture."]