{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":16,"n_cols":5,"rows_kept":16,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[9,2,9,3],[10,2,10,3],[14,2,14,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910460004203321"]
[null,null,"Titolo",null,"Critical reflections on audience and narrativity : new connections, new perspectives / / Valentina Marinescu, Bianca Mitu, Silvia Branea (eds.)"]
[null,null,"Pubbl/distr/stampa",null,"Stuttgart : , : Ibidem-Verlag, , [2014]"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"3-8382-6679-X"]
[null,null,"Descrizione fisica",null,"1 online resource (245 p.)"]
[null,null,"Disciplina",null,"791.45"]
[null,null,"Soggetti",null,"Television programs"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Does the cultural capital compensate for the cultural discount? Why do German students prefer US-American TV series? / Daniela Schluetz, Beate Schneider -- Awake, or the multiplication of the realities contemporary television series: narrative structures and audience perception / Mathieu Pierre -- \"Three hundred channels and nothing's on\": metaleptic genre-mixing in Supernatural / Michael Fuchs -- Appreciating Nietzsche in episodic drama: the highbrow intertextuality and middlebrow reception of Criminal minds / Michael Wayne -- The seed of an idea and its cognitive field: minding the gap of alternate reality in Flash forward and Fringe / Inbar Kaminsky -- Breaking narrative: narrative complexity in contemporary television / Oliver Kroener -- The walking dead and the truly monstrous ... on television / Atene Mendelyte -- Television cosmo-mythologies: the return to mythological narratives in television fiction, from The prisoner to Lost / Raquel Crisóstomo Gálvez, Enric Ros Zofío -- Breaking bad, a character-based formula / Rodrigo Mesonero -- Representing occupations in media and audience perceptions of TV series / Valentina Marinescu -- Homeland: war on terror revisited / Marc Perelló-Sobrepere -- Understanding health in Grey's Anatomy television series / Bianca Mitu -- Fiction television in Brazil: new perspectives / Lilian Fontes Moreira -- TV series Bolji z̆ivot (1987-1991): view from the future / Natasa Simeunovic Bajic -- The X-factor of singing competitions TV series / Maria Dicieanu -- TV drama as a narrative form: scenes from a gendered and a sacralized cultural sphere in Turkish society / Nuran E. Işık-- The hero's journey / María Teresa "]
[{"$nulls":4},"Nicolás Gavilán, Lourdes López Gutiérrez, Carmen Silvia Sánchez Arana, Tania Alejandra Benítez Sánchez."]