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[null,"1.","Record Nr.",null,"UNINA9910459980903321"]
[null,null,"Autore",null,"Barba Eugenio"]
[null,null,"Titolo",null,"A dictionary of theatre anthropology : the secret art of the performer / / Eugenio Barba, Nicola Savarese ; translated by Richard Fowler"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York : , : Routledge, , 2006"]
[null,null,"ISBN",null,"1-283-10221-8"]
[{"$nulls":4},"9786613102218"]
[{"$nulls":4},"1-135-17635-3"]
[{"$nulls":4},"1-135-17634-5"]
[{"$nulls":4},"0-203-86395-X"]
[null,null,"Edizione",null,"[2nd ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (321 p.)"]
[null,null,"Disciplina",null,"795/.03"]
[null,null,"Soggetti",null,"Theater - Anthropological aspects"]
[{"$nulls":4},"Acting"]
[{"$nulls":4},"Dance"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front Cover; A Dictionary of Theatre Anthropology; Copyright Page; Contents; Preface: Eugenio Barba; Introduction; Theatre anthropology - Eugenio Barba; Similar principles, different performances; Lokadharmi and Natyadharmi; Balance in action; The dance of oppositions; The virtue of omission; Intermezzo; A decided body; A fictive body; A million candles; Anatomy; Can the sea rise above the mountain tops? - Nicola Savarese; Apprenticeship; Western examples - Fabrizio Cruciani; Founding fathers and pedagogical theatre at the beginning of the twentieth century"]
[{"$nulls":4},"Creative process, theatre school and theatre cultureAuthor's pedagogy; An Indian example - Rosemary Jeanes Antze; Guru as parent, honoured preceptor; Guru-kula,study in the guru's home; Guru-dakshina, gifts and fees; Ekalavya, disciple extraordinaire; Guru-shishya-parampara; Balance; Extra-daily balance; Luxury balance; Extra-daily technique: the search for a new posture; Generalisations regarding balance; Balance in action; Steel and cotton; Why does the performer aim for a luxury balance? What does the performer's alteration of balance mean for the spectator?; Balance and imagination"]
[{"$nulls":4},"Brecht's unknown danceDilation; The dilated body - Eugenio Barba; The "]
[{"$nulls":4},"bridge; Peripeteias; The negation principle; To think the thought; Twin logics; Seven-gated Thebes; The dilated mind - Franco Ruffini; Dramaturgy; Actions at work - Eugenio Barba; Energy; Kung-fu; Energy and continuity; Koshi, ki-hai, bayu; Animus, anima; Keras and manis; Lasya and tandava; Tame; Energy in space and energy in time; Santai, the actor's three bodies; Braking the action; The performer's presence; Equivalence; The equivalence principle; Dhanu: archery in Indian odissi dance"]
[{"$nulls":4},"How one shoots an arrow in japanese kyogen theatreShooting with a bow; Eurasian theatre; Eurasian theatre - Eugenio Barba; Dawn; Eurasian theatre; Anti-tradition; Why; Roots; Village; To interpret a text or to create a context; Spectator; Incomprehensions and inventions: from the silk road to seki sano - Nicola Savarese; Exercises; Score and subscore: the significance of exercise in the actor's dramaturgy - Eugenio Barba; A physical action: the smallest perceptible action; The age of exercises; Inner life and interpretation; The complexity of emotion; The real relationship; Sport as dance"]
[{"$nulls":4},"The physical dialogue with the spectatorsThe real action; Meyerhold's theatre fission; The exercise: a model of organic and dynamic dramaturgy; Form, rhythm, flow; Tacit knowledge; Face and eyes; Physiology and codification; The concrete gaze; The action of seeing; Showing that one is seeing; The natural face; The provisional face; The painted face; Feet; Microcosm, macrocosm; On point; Foot grammar; Hands; Physiology and codification of the hands; The hands: pure sound or silence; How to invent hands in movement; India: hands and meaning; Hands and the Peking Opera; Hands and Balinese dance"]
[{"$nulls":4},"Hands and the Japanese theatre"]
[null,null,null,"Sommario/riassunto","This the second English language edition of the classic text, \"\"A Dictionary of Theatre Anthropology\"\" subtly juxtaposes the visual demonstrations of the performers craft, from a wealth of Oriental and Occidental sources. Whereas most Western research is concerned with naturalism and psychological realism in acting, the \"\"Dictionary\"\" focuses on the performer's arduous and eclectic craft."]
[null,"2.","Record Nr.",null,"UNISA996248299903316"]
[null,null,"Autore",null,"Bushman Richard L"]
[null,null,"Titolo",null,"From Puritan to Yankee [[electronic resource] ] : character and the social order in Connecticut, 1690-1765 / / Richard L. Bushman"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge, : Harvard University Press, 1967"]
[null,null,"ISBN",null,"0674325516"]
[null,null,"Descrizione fisica",null,"viii, 343 p. : ill., maps. ; ; 22 cm"]
[null,null,"Collana",null,"A publication of the Center for the Study of the History of Liberty in America, Harvard University"]
[null,null,"Soggetti",null,"Connecticut History Colonial period, ca. 1600-1775"]
[{"$nulls":4},"Connecticut Social conditions"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [305]-334) and index."]