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[null,"1.","Record Nr.",null,"UNINA9910457754103321"]
[null,null,"Autore",null,"Henry Neil <1954->"]
[null,null,"Titolo",null,"American carnival [[electronic resource] ] : journalism under siege in an age of new media / / Neil Henry"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley, : University of California Press, c2007"]
[null,null,"ISBN",null,"1-281-75241-X"]
[{"$nulls":4},"9786611752415"]
[{"$nulls":4},"1-4294-6793-2"]
[{"$nulls":4},"0-520-93154-8"]
[{"$nulls":4},"0-520-90401-X"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (344 p.)"]
[null,null,"Disciplina",null,"174/.90704"]
[null,null,"Soggetti",null,"Journalistic ethics - United States"]
[{"$nulls":4},"Journalism - Economic aspects - United States"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 251-305) and index."]
[null,null,"Nota di contenuto",null,"Contents; Acknowledgments; Introduction; 1 American Carnival; 2 Freak Show; 3 Fun House; 4 World of Illusions; 5 Defending the News; Notes; Index"]
[null,null,null,"Sommario/riassunto","In this vividly written, compelling narrative, award-winning journalist Neil Henry confronts the crisis facing professional journalism in this era of rapid technological transformation. American Carnival combines elements of memoir with extensive media research to explore critical contemporary issues ranging from reporting on the Iraq War, to American race relations, to the exploitation of the image of journalism by advertisers and politicians. Drawing on significant currents in U.S. media and social history, Henry argues that, given the amount of fraud in many institutions in American life to"]
[null,"2.","Record Nr.",null,"UNINA9910459846103321"]
[null,null,"Autore",null,"Applegate Celia"]
[null,null,"Titolo",null,"Bach in Berlin : nation and culture in Mendelssohn's revival of the St. Matthew Passion / / Celia Applegate"]
[null,null,"Pubbl/distr/stampa",null,"Ithaca, New York : , : Cornell University Press, , 2005"]
[null,null,"ISBN",null,"0-8014-5581-2"]
[{"$nulls":4},"0-8014-7972-X"]
[{"$nulls":4},"0-8014-5582-0"]
[null,null,"Descrizione fisica",null,"1 online resource (303 pages) : illustrations"]
[null,null,"Disciplina",null,"780/.943/09034"]
[null,null,"Soggetti",null,"Music - Social aspects - Germany"]
[{"$nulls":4},"Music - Germany - 19th century - History and criticism"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages 265-279) and index."]
[null,null,"Nota di contenuto",null,"Great expectations : Mendelssohn and the St. Matthew Passion -- Toward a music aesthetics of the nation -- Music journalism and the formation of judgment -- Musical amateurism and the exercise of taste -- The St. Matthew Passion in concert : Protestantism, historicism, and sacred music -- Beyond 1829 : musical culture, national culture."]
[null,null,null,"Sommario/riassunto","Bach's St. Matthew Passion is universally acknowledged to be one of the world's supreme musical masterpieces, yet in the years after Bach's death it was forgotten by all but a small number of his pupils and admirers. The public rediscovered it in 1829, when Felix Mendelssohn conducted the work before a glittering audience of Berlin artists and intellectuals, Prussian royals, and civic notables. The concert soon became the stuff of legend, sparking a revival of interest in and performance of Bach that has continued to this day.Mendelssohn's performance gave rise to the notion that recovering and performing Bach's music was somehow \"national work.\" In 1865 Wagner would claim that Bach embodied \"the history of the German spirit's inmost life.\" That the man most responsible for the revival of a masterwork of German Protestant culture was himself a converted Jew struck contemporaries as less remarkable than it does us today-a statement that embraces both the great achievements and the disasters of 150 years of German history.In this book, Celia Applegate asks why this particular performance crystallized the hitherto inchoate notion that "]
[{"$nulls":4},"music was central to Germans' collective identity. She begins with a wonderfully readable reconstruction of the performance itself and then moves back in time to pull apart the various cultural strands that would come together that afternoon in the Singakademie. The author investigates the role played by intellectuals, journalists, and amateur musicians (she is one herself) in developing the notion that Germans were \"the people of music.\" Applegate assesses the impact on music's cultural place of the renewal of German Protestantism, historicism, the mania for collecting and restoring, and romanticism. In her conclusion, she looks at the subsequent careers of her protagonists and the lasting reverberations of the 1829 performance itself."]