{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":3,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":51,"n_cols":5,"rows_kept":51,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[15,2,15,3],[16,2,16,3],[20,2,20,3],[21,2,21,3],[21,4,21,5],[22,2,22,3],[22,4,22,5],[23,2,23,3],[23,4,23,5],[24,2,24,3],[25,2,25,3],[26,2,26,3],[27,2,27,3],[28,2,28,3],[29,2,29,3],[30,2,30,3],[32,2,32,3],[34,2,34,3],[34,4,34,5],[35,2,35,3],[35,4,35,5],[36,2,36,3],[36,4,36,5],[37,2,37,3],[39,2,39,3],[41,2,41,3],[42,2,42,3],[43,2,43,3],[44,2,44,3],[45,2,45,3],[46,2,46,3],[47,2,47,3],[49,2,49,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910459815403321"]
[null,null,"Autore",null,"Gordon Richard A (Richard Allen), <1969->"]
[null,null,"Titolo",null,"Cinema, slavery, and Brazilian nationalism / / Richard A. Gordon"]
[null,null,"Pubbl/distr/stampa",null,"Austin, Texas : , : University of Texas Press, , 2015"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"0-292-76098-1"]
[null,null,"Edizione",null,"[First edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (287 p.)"]
[null,null,"Collana",null,"Cognitive Approaches to Literature and Culture Series"]
[null,null,"Disciplina",null,"791.43/655"]
[null,null,"Soggetti",null,"Slavery in motion pictures"]
[{"$nulls":4},"Nationalism in motion pictures"]
[{"$nulls":4},"Motion pictures - Political aspects - Brazil"]
[{"$nulls":4},"Motion pictures - Social aspects - Brazil"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction -- Influencing understandings of Brazilianness in O Aleijadinho: Paixão, glória e suplício (2000) -- Modeling national identity on religious identity in Cafundó (2005) -- Multiple, provisional, national identity models in Quilombo (1984) -- Alternative understandings of the national community in Chico Rei (1985) -- Flirting with viewers and precariously rethinking Brazilianness in Xica da Silva (1976)."]
[null,"2.","Record Nr.",null,"UNISALENTO991000416679707536"]
[null,null,"Autore",null,"Boch, Raoul"]
[null,null,"Titolo",null,"Il Boch : dizionario francese italiano, italiano francese / di Raoul Boch ; con la collaborazione di Carla Salvioni"]
[null,null,"Pubbl/distr/stampa",null,"Bologna : Zanichelli, 1995"]
[null,null,"ISBN",null,"8808094340"]
[null,null,"Edizione",null,"[3. ed]"]
[null,null,"Descrizione fisica",null,"2175 p. : ill. ; 26 cm"]
[null,null,"Disciplina",null,"443.51"]
[null,null,"Soggetti",null,"Lingua francese - Dizionari"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[{"$nulls":4},"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"3.","Record Nr.",null,"UNINA9910886930103321"]
[null,null,"Autore",null,"Appen Ralf von"]
[null,null,"Titolo",null,"»Parallelgesellschaften« in Populärer Musik? : Abgrenzungen - Annäherungen - Perspektiven"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld : , : transcript Verlag, , 2024"]
[{"$nulls":4},"©2024"]
[null,null,"ISBN",null,"9783839473191"]
[{"$nulls":4},"3839473195"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (361 pages)"]
[null,null,"Collana",null,"Beiträge zur Popularmusikforschung ; ; 48"]
[null,null,"Classificazione",null,"LS 78015"]
[null,null,"Soggetti",null,"MUSIC / History & Criticism"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Cover -- Inhalt -- „Parallelgesellschaften\" in populärer Musik? -- Pop vs. the people? -- Echokammern der Differenz -- Grenzziehungen - zum Umgang mit türkischer Popmusik in Deutschland von den 1960er-Jahren bis heute -- Goethe Going Pop -- Über Sieben Brücken -- „Ästhetisch schön, aber völlig geschichtslos\" -- In dubio pro arte? -- Zwischen den Stühlen -- Konzepte von Authentizität in der Hamburger Open Mic-Community -- Wer, wie, was heißt hier Parallelgesellschaften? -- \"Sometimes it Feels Like Being in a Parallel World\" -- Songwriting Camps -- Vom Neben- und Miteinander in (pop)musikalischen Lebenswelten."]
[null,null,null,"Sommario/riassunto","In der öffentlichen Rede, in politisch-populistischen Debatten und in massenmedialen Berichten ist »Parallelgesellschaft« ein seit Jahren viel strapazierter Begriff. Mit seiner Geschichte politischer Instrumentalisierung geht die Gefahr von Affirmation gesellschaftlicher Ungleichheitsverhältnisse einher. Die Beiträge des Bandes setzen sich im Kontext populärer Musik mit parallel bestehenden, scheinbar unverbundenen Strukturen, Begriffen und Konzepten auseinander. Neben einem Blick auf die deutsch-deutsche Entwicklungsgeschichte der Popular Music Studies werden pop-kulturelle Differenzparadigmen u.a. aus musikwissenschaftlicher, musiksoziologischer, ethnomusikologischer und juristischer Sicht kritisch aufgearbeitet."]