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[null,"1.","Record Nr.",null,"UNINA9910459711603321"]
[null,null,"Autore",null,"Hopkins Lisa <1962->"]
[null,null,"Titolo",null,"Drama and the succession to the crown, 1561-1633 [[electronic resource] /] / by Lisa Hopkins"]
[null,null,"Pubbl/distr/stampa",null,"Burlington, Vt., : Ashgate, 2011"]
[null,null,"ISBN",null,"1-317-14824-X"]
[{"$nulls":4},"1-317-14823-1"]
[{"$nulls":4},"1-283-04766-7"]
[{"$nulls":4},"9786613047663"]
[{"$nulls":4},"1-4094-0648-2"]
[null,null,"Descrizione fisica",null,"1 online resource (189 p.)"]
[null,null,"Collana",null,"Studies in performance and early modern drama"]
[null,null,"Disciplina",null,"822.3/093581"]
[null,null,"Soggetti",null,"English drama - Early modern and Elizabethan, 1500-1600 - History and criticism"]
[{"$nulls":4},"English drama - 17th century - History and criticism"]
[{"$nulls":4},"Political plays, English - History and criticism"]
[{"$nulls":4},"Inheritance and succession in literature"]
[{"$nulls":4},"Monarchy in literature"]
[{"$nulls":4},"Kings and rulers - Succession - Great Britain"]
[{"$nulls":4},"Electronic books."]
[{"$nulls":4},"Great Britain Kings and rulers Succession"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Christopher Marlowe and the succession to the English crown -- Romans and fairies -- Robin Hood and the king's two bodies -- Female transmission, female taint -- Antonios and stewards -- One king, two kingdoms? -- John Ford and the 1630s."]
[null,null,null,"Sommario/riassunto","Hopkins argues the succession to the throne was a burning topic not only in the final years of Elizabeth but well into the 1630's, and drama, with its disguised identities and oblique relationship to reality, was a safe way to air it. Hopkins analyzes some of the ways in which plays-from Marlowe's and Shakespeare's to Webster's and Ford's-reflect, negotiate and dream the issue of the succession."]