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[null,"1.","Record Nr.",null,"UNINA9910456641403321"]
[null,null,"Autore",null,"Singh Nikky-Guninder"]
[null,null,"Titolo",null,"Sikhism [[electronic resource] ] : An Introduction"]
[null,null,"Pubbl/distr/stampa",null,"London, : I.B.Tauris, 2011"]
[null,null,"ISBN",null,"0-85773-549-7"]
[{"$nulls":4},"1-78539-850-4"]
[{"$nulls":4},"1-283-15225-8"]
[{"$nulls":4},"9786613152251"]
[{"$nulls":4},"0-85771-962-9"]
[null,null,"Descrizione fisica",null,"1 online resource (289 p.)"]
[null,null,"Collana",null,"I.B. Tauris introductions to religion Sikhism"]
[null,null,"Disciplina",null,"294.6"]
[null,null,"Soggetti",null,"Sikhism"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Cover; Contents; Introduction; I. Guru Nanak and the Origins of Sikhism; II. Guru Arjan and the Crystallization of the Skh Faith; Chapter III. Guru Gobind and the Cultivation of Sikh Identity; IV. Sikh Metaphysics, Ethics and Esthetics; V. Worship, Ceremonies and Rites of Passage; VI. Feminist Text in a Patriarchal Context; VII. Colonial Encounters; VIII. Sikh Art; IX. Sikhs in the Diaspora; Glossary of Names and Terms; Illustration, Map and Picture Credits; Select Bibliography; Index"]
[null,null,null,"Sommario/riassunto","Almost from the moment, some five centuries ago, that their religion was founded in the Punjab by Guru Nanak, Sikhs have enjoyed a distinctive identity. This sense of difference, forged during Sikhism's fierce struggles with the Mughal Empire, is still symbolised by the 'Five Ks' ('panj kakar', in Punjabi), those articles of faith to which all baptised Sikhs subscribe: uncut hair bound in a turban; comb; special undergarment; iron bracelet and dagger (or kirpan) - the unique marks of the Sikh military fraternity (the word Sikh means 'disciple' in Punjabi). Yet for all its ongoing attachment to"]
[null,"2.","Record Nr.",null,"UNINA9910459699803321"]
[null,null,"Autore",null,"Plane Ann Marie <1964->"]
[null,null,"Titolo",null,"Dreams and the invisible world in colonial New England : Indians, colonists, and the seventeenth century / / Ann Marie Plane"]
[null,null,"Pubbl/distr/stampa",null,"Philadelphia, Pennsylvania : , : University of Pennsylvania Press, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"0-8122-9054-2"]
[null,null,"Edizione",null,"[First edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (253 p.)"]
[null,null,"Disciplina",null,"974/.02"]
[null,null,"Soggetti",null,"Colonists - New England - Psychology - History - 17th century"]
[{"$nulls":4},"Indians of North America - Colonization - Psychological aspects - New England - History - 17th century"]
[{"$nulls":4},"Dreams - New England - History - 17th century"]
[{"$nulls":4},"Visions - New England - History - 17th century"]
[{"$nulls":4},"Electronic books."]
[{"$nulls":4},"New England Colonization Psychological aspects History 17th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Preface -- Introduction -- Chapter 1. English Dream Belief and Practice in the Tudor- Stuart World -- Chapter 2 Representation of Indigenous Dreaming at Contact and Beyond -- Chapter 3. Lived Religion and Embedded Emotion in Midcentury Dream Reporting -- Chapter 4. Dreams and Visions in King Philip’s War -- Chapter 5. Emotion, Embodiment, and Context -- Chapter 6. Native Dream Reporting as Cultural Resistance -- Conclusion -- List of Abbreviations -- Notes -- Index -- Acknowledgments"]
[null,null,null,"Sommario/riassunto","From angels to demonic specters, astonishing visions to devilish terrors, dreams inspired, challenged, and soothed the men and women of seventeenth-century New England. English colonists considered dreams to be fraught messages sent by nature, God, or the Devil; Indians of the region often welcomed dreams as events of tremendous significance. Whether the inspirational vision of an Indian sachem or the nightmare of a Boston magistrate, dreams were treated with respect and care by individuals and their communities. Dreams offered entry to \"invisible worlds\" that contained vital knowledge not accessible by other means and were viewed as an important source of guidance in the face of war, displacement, shifts in religious thought, and "]
[{"$nulls":4},"intercultural conflict. Using firsthand accounts of dreams as well as evolving social interpretations of them, Dreams and the Invisible World in Colonial New England explores these little-known aspects of colonial life as a key part of intercultural contact. With themes touching on race, gender, emotions, and interior life, this book reveals the nighttime visions of both colonists and Indians. Ann Marie Plane examines beliefs about faith, providence, power, and the unpredictability of daily life to interpret both the dreams themselves and the act of dream reporting. Through keen analysis of the spiritual and cosmological elements of the early modern world, Plane fills in a critical dimension of the emotional and psychological experience of colonialism."]
[null,"3.","Record Nr.",null,"UNINA9910818992703321"]
[null,null,"Autore",null,"Allen Judson Boyce <1932-1985, >"]
[null,null,"Titolo",null,"Ethical poetic of the later Middle Ages : a decorum of convenient distinction / / Judson Boyce Allen"]
[null,null,"Pubbl/distr/stampa",null,"Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 1982"]
[{"$nulls":4},"©1982"]
[null,null,"ISBN",null,"1-4426-5627-1"]
[{"$nulls":4},"1-4426-3299-2"]
[null,null,"Descrizione fisica",null,"1 online resource (348 p.)"]
[null,null,"Collana",null,"Heritage"]
[null,null,"Disciplina",null,"801/.951/0902"]
[null,null,"Soggetti",null,"Criticism, Medieval - History"]
[{"$nulls":4},"Poetics - History - To 1500"]
[{"$nulls":4},"Literature, Medieval - History and criticism"]
[{"$nulls":4},"History"]
[{"$nulls":4},"Criticism, interpretation, etc."]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and indexes."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Introduction -- 1. Ethical poetry, poetic ethics, and the sentence of poetry -- 2. Poetic thinking and the forma tractandi -- 3. Poetic disposition and the forma tractatus -- 4. Assimilatio and the material of poetry -- 5. The assimilation of the real world -- 6. 'Consideratio' and the audiences of poetry -- Index of subjects and authors -- Index of manuscripts"]
[null,null,null,"Sommario/riassunto","This study of the definition of literature in the late medieval period is based on manuals of writing and on literary commentary and glosses. It defines a method of reading which may now profitably explain medieval texts, and identifies new primary medieval evidence which may ground and guide new reading. Allen chooses texts whose commentary tradition provides the greatest opportunity for completeness. The most important of these is Ovid's Metamorphoses. Medieval readings of Ovid bring into focus a number of major literary questions--the problems of fable and fiction, of unity imposed by miscellany poetry, of allegorical commentary, and of Christian use of pagan culture--all in connection with text which furnished medieval authors with more stories than any other single source except possibly "]
[{"$nulls":4},"the Bible. Allen also studies commentaries on the Consolation of Philosophy of Boethius, the Thebaid of Statius, the De nuptiis of Martianus Capella, the medieval Christian hymn-book, and the Poetria nova of Geoffrey of Vinsauf. Together these texts represent the range of medieval literature--a literature which, Allen concludes, was taken as direct ethical discourse, logically conducted and artfully organized within a system of language that also assimilated the natural world and sought to absorb its audience."]