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[null,"1.","Record Nr.",null,"UNINA9910459661103321"]
[null,null,"Titolo",null,"Aesthetes and decadents of the 1890's : an anthology of British poetry and prose / / with an introduction and notes, by Karl Beckson ; with 16 illustrations by Aubrey Beardsley"]
[null,null,"Pubbl/distr/stampa",null,"Chicago, Illinois : , : Academy Chicago Publishers, , 1981"]
[{"$nulls":4},"©1981"]
[null,null,"ISBN",null,"1-61373-436-0"]
[{"$nulls":4},"1-61373-434-4"]
[null,null,"Edizione",null,"[Revised edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (384 p.)"]
[null,null,"Disciplina",null,"820/.8/008"]
[null,null,"Soggetti",null,"English literature - 19th century"]
[{"$nulls":4},"Aestheticism (Literature)"]
[{"$nulls":4},"Decadence (Literary movement) - Great Britain"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"\"\"Front Cover \"\"; \"\"Title Page \"\"; \"\"Copyright \"\"; \"\"Dedication \"\"; \"\"Preface to the Second Edition \"\"; \"\"Preface to the First Edition  \"\"; \"\"Contents \"\"; \"\"Introduction\"\"; \"\"John Barlas\"\"; \"\"Oblivion\"\"; \"\"The Memphian Temple\"\"; \"\"The Dancing Girl\"\"; \"\"Beauty's, Anadems\"\"; \"\"The Cat-Lady\"\"; \"\"Terrible Love\"\"; \"\"My Lady's Bath\"\"; \"\"Aubrey Beardsley \"\"; \"\"The Balled of a Barber\"\"; \"\"The Story of Venus and Tannhauser [with illustrations]\"\"; \"\"Max Beerbohm\"\"; \"\"A Defence of Cosmetics\"\"; \"\"A Letter to the Editor\"\"; \"\"Diminuendo\"\"; \"\"Olive Custance (Lady Alfred Douglas)\"\"; \"\"Peacocks: A Mood \"\""]
[{"$nulls":4},"\"\"The Masquerade\"\"\"\"Hyacihthus\"\"; \"\"The White Statue\"\"; \"\"Statues\"\"; \"\"Candle-Light\"\"; \"\"Lord Alfred Douglas\"\"; \"\"Apologia\"\"; \"\"Two Loves\"\"; \"\"Impression De Nuit\"\"; \"\"Rejected\"\"; \"\"Ode to My Soul\"\"; \"\"The Dead Poet\"\"; \"\"Ernest Dowson\"\"; \"\"Nuns of the Perpetual Adoration \"\"; \"\"Non Sum Qualis Eram Bonae Sub Regno Cynarae\"\"; \"\"O Mors! Quam Amara Est Memoria ... \"\"; \"\"Villanelle of Sunset\"\"; \"\"Extreme Unction\"\"; \"\"Exile\"\"; \"\"Benedictio Domini\"\"; \"\"Spleen\"\"; \"\"A Last Word \"\"; \"\"Michael Field\"\"; \"\"From Baudelaire\"\"; \"\"The Poet\"\"; \"\"A Dance of Death\"\"; \"\"La Gioconda\"\"; \"\"A Dying Viper\"\""]
[{"$nulls":4},"\"\"John Gray\"\"\"\"From Silverpoints\"\"; \"\"On a Picture\"\"; \"\"Poem\"\"; \"\"A Crucifix\"\"; \"\"Parsifal Imitated from the French of Paul Verlaine\"\"; "]
[{"$nulls":4},"\"\"Femmes Damnees\"\"; \"\"The Barber\"\"; \"\"Le Voyage a Cythere\"\"; \"\"Mishka\"\"; \"\"Lionel Johnson\"\"; \"\"The Cultured Faun\"\"; \"\"The Church of a Dream\"\"; \"\"Mystic and Cavalier\"\"; \"\"To a Passionist\"\"; \"\"In Honorem Doriani Creatorisque Eius\"\"; \"\"The Destroyer of a Soul\"\"; \"\"The Dark Angel\"\"; \"\"Nihilism\"\"; \"\"A Decadent's Lyric\"\"; \"\"Richard Le gallienne \"\"; \"\"From English Poems\"\"; \"\"To the Reader\"\"; \"\"The Decadent to His Soul\"\"; \"\"Beauty Accurst\"\"; \"\"Sunset in the City\"\""]
[{"$nulls":4},"\"\"A Ballad of London\"\"\"\"The Boom in Yellow\"\"; \"\"Arthur Symons\"\"; \"\"The Decadent Movement in Literature\"\"; \"\"Emmy\"\"; \"\"Maquillage\"\"; \"\"Morbidezza\"\"; \"\"Prologue: Before the Curtain\"\"; \"\"Prologue: In the Stalls\"\"; \"\"To a Dancer\"\"; \"\"La Melinite: Moulin Rouge\"\"; \"\"Javanese Dancers\"\"; \"\"By the Pool at the Third Rosses\"\"; \"\"Hallucination: I\"\"; \"\"Violet: Prelude\"\"; \"\"From Stephane Mallarme: Herodiade\"\"; \"\"Preface to the Second Edition of Silbouettes: Being a Word on Behalf of Patchouli\"\"; \"\"Preface to the Second Edltion of London Nights\"\"; \"\"Oscar Wilde\"\"; \"\"The Decay of Lying: AN Observation\"\""]
[{"$nulls":4},"\"\"Salome [with Beardsley's Illustrations]\"\"\"\"Phrases and Philosophies For the Use OF the Young\"\"; \"\"Symphony in Yellow\"\"; \"\"The Harlot's House\"\"; \"\"Impression Du Matin\"\"; \"\"Helas!\"\"; \"\"The Ballad of Reading Gaol\"\"; \"\"Theodore Wratislaw\"\"; \"\"from Caprices\"\"; \"\"Opoponax\"\"; \"\"Satiety\"\"; \"\"Frangipani\"\"; \"\"Palm Sunday\"\"; \"\"from Orchids\"\"; \"\"Orchids\"\"; \"\"White Lilies\"\"; \"\"Sonner Macabre\"\"; \"\"Hothouse Flowers\"\"; \"\"William Butler Yeats\"\"; \"\"The Lake Isle Of Innisfree.\"\"; \"\"The White Birds\"\"; \"\"Rosa Mundi \"\"; \"\"To the Rose upon the Rood of time\"\"; \"\"O'sullivan Rua to Mary Lavell\"\"; \"\"The Secret Rose\"\""]
[{"$nulls":4},"\"\"The Song Of Wandering Aengus\"\""]
[null,null,null,"Sommario/riassunto","The Aesthetic and Decadent Movement of the late 19th century spawned the idea of \"\"Art for Art's Sake,\"\" challenged aesthetic standards and shocked the bourgeosie. From Walter Pater's study, \"\"The Renaissance to Salome, the truly decadent collaboration between Oscar Wilde and Aubrey Beardsley, Karl Beckson has chosen a full spectrum of works that chronicle the British artistic achievement of the 1890's. In this revised edition of a classic anthology, \"\"The Ballad of Reading Gaol\"\" has been included in its entirety; the bibliography has been completely updated; Professor Beckson's notes and comm"]
[null,"2.","Record Nr.",null,"UNINA9910495713903321"]
[null,null,"Autore",null,"Alonso Béatrice"]
[null,null,"Titolo",null,"La décomposition : Dynamiques et horizons / Anne Chamayou, Jocelyn Dupont"]
[null,null,"Pubbl/distr/stampa",null,"Perpignan, : Presses universitaires de Perpignan, 2019"]
[null,null,"ISBN",null,"2-35412-364-7"]
[null,null,"Descrizione fisica",null,"1 online resource (227 p.)"]
[null,null,"Soggetti",null,"Literature&#44; Romance"]
[{"$nulls":4},"littérature européenne"]
[{"$nulls":4},"art"]
[{"$nulls":4},"destruction"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Parce qu'elle ne dénote pas un état mais un processus, la notion de Décomposition, voisine mais distincte de la Déconstruction derridienne, révèle un dynamisme singulier. Entre le tout dont elle est la trace et en même temps l'analyse, et la partie dont elle énumère les constituants ; entre l’avant et l’après; le vivant et le mort; le visible et l’invisible ; le dicible et l’implicite : la notion de Décomposition fournit non seulement des objets de fascination pour la rêverie moderne et des expériences de prédilection pour l’écriture – textuelle et cinématographique – et pour la création artistique, notamment contemporaine, mais aussi un sujet de réflexion inépuisable dans le domaine des passions, de la philosophie, de la linguistique, voire de la politique. Que la Décomposition donne matière à répulsion, compassion ou indignation, son potentiel de violence et sa puissance subversive s’expriment aussi dans le registre parodique et comique, des épopées scatologiques du Moyen-Âge aux machines à excrémentation de l’artiste contemporain Wim Delvoye.  D’inspiration principalement littéraire, mettant à l’honneur des écrivains aussi majeurs que Karl Joris Husymans, Yukio Mishima ou Wajdi Mouawad, mais aussi les oeuvres d’auteurs moins connus tels que John Clare, Georges Hyvernaud, Patrick McGrath ou Ellen Melloy, cet ouvrage n’a pourtant pas retenu l’hétérogénéité comme principe (in)directeur. Les articles qui le composent, regroupés en quatre chapitre distincts et "]
[{"$nulls":4},"articulés, sont autant de pistes à emprunter pour mieux saisir comment la Décomposition, loin de pointer vers le Néant dont elle pourrait de prime abord sembler annonciatrice, ouvre au contraire maints chemins et horizons nouveaux pour l’analyse et le plaisir des textes."]
[null,"3.","Record Nr.",null,"UNICAMPANIAVAN0054114"]
[null,null,"Titolo",null,"1: Basic concepts and constructions dimension theory / A. V. Arkhangel'skii, L. S. Pontryagin (Eds.)"]
[null,null,"Pubbl/distr/stampa",null,"Berlin, : Springer, 1990"]
[null,null,"ISBN",null,"35-401-8178-4"]
[{"$nulls":4},"978-36-426-4767-3"]
[null,null,"Descrizione fisica",null,"202 p. : ill. ; 24 cm"]
[null,null,"Soggetti",null,"54-XX - General topology [MSC 2020]"]
[{"$nulls":4},"54F45 - Dimension theory in general topology [MSC 2020]"]
[{"$nulls":4},"00B15 - Collections of articles of miscellaneous specific interest [MSC 2020]"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]