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[null,"1.","Record Nr.",null,"UNINA9910459604703321"]
[null,null,"Autore",null,"Kolaja Jiri Thomas <1919->"]
[null,null,"Titolo",null,"A Polish factory : a case study of workers' participation in decision making / / Jiri Thomas Kolaja"]
[null,null,"Pubbl/distr/stampa",null,"[Lexington, Kentucky] : , : University Press of Kentucky, , 1960"]
[{"$nulls":4},"©1960"]
[null,null,"ISBN",null,"0-8131-6373-0"]
[null,null,"Descrizione fisica",null,"1 online resource (176 p.)"]
[null,null,"Disciplina",null,"658.3152"]
[null,null,"Soggetti",null,"Textile workers - Poland"]
[{"$nulls":4},"Management - Employee participation - Poland"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,null,"Nota di bibliografia","Bibliographical footnotes."]
[null,null,"Nota di contenuto",null,"Cover; Title; Copyright; Foreword; Acknowledgments; Contents; Introduction; CHAPTER 1. The Polish Workers' Council; CHAPTER 2. A Lodz Textile Factory; CHAPTER 3. Past Events in the Factory; CHAPTER 4. Eight Weeks in the Factory; CHAPTER 5. Analysis of the 13 Events; CHAPTER 6. Attitudes toward Production; CHAPTER 7. Interpretation and Conclusion; APPENDIX: Bylaws of the Workers' Council; Index"]
[null,null,null,"Sommario/riassunto","<P>A pioneering examination of worker participation in the management of a textile factory in Lodz, Poland, this study now provides the first specific evidence to test the hypotheses based on the assumption that political ideology determines the character of management--labor relations.</P>"]
[null,"2.","Record Nr.",null,"UNINA9910786020603321"]
[null,null,"Autore",null,"Welchman John C."]
[null,null,"Titolo",null,"Art after appropriation : essays on art in the 1990s / / John C. Welchman"]
[null,null,"Pubbl/distr/stampa",null,"London : , : G+B Arts International, , 2003"]
[null,null,"ISBN",null,"1-136-80136-7"]
[{"$nulls":4},"1-136-80137-5"]
[{"$nulls":4},"1-283-96526-7"]
[{"$nulls":4},"0-203-82744-9"]
[null,null,"Descrizione fisica",null,"1 online resource (305 p.)"]
[null,null,"Disciplina",null,"709/.049"]
[null,null,"Soggetti",null,"Art, Modern - 20th century"]
[{"$nulls":4},"Appropriation (Art)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover; Art After Appropriation; Title Page; Copyright Page; Table of Contents; IntroductionGlobal Nets: Appropriation and Postmodernity; Chapter 1 Photographies, Counter-revolution and Second Worlds: Allegories by Design, 1989; Chapter 2 Photographies, Counter-revolution and Second Worlds: Releases and Counter-appropriations, 1989; Chapter 3 New Bodies: The Medical Venus and the Techno-grotesque, 1993-1994; Chapter 4 Faces, Boxes and The Moves: On Travelling Video Cultures, 1993; Chapter 5 Public Art and the Spectacle of Money: On Art Rebate/ Arte Reembolso, 1993"]
[{"$nulls":4},"Chapter 6 'Peeping Over the Wall': Narcissism in the 1990s, 1995Chapter 7 Parametrology: From the White Cube to the Rainbow Net, 1996; Chapter 8 Culture/Cuts: Post-appropriation in the Work of Cody Hyun Choi, 1998; Chapter 9 Some Horizons of Medialisation: The Rainbow Net, 1999; Index"]
[null,null,null,"Sommario/riassunto","Beginning with the first comprehensive account of the discourse of appropriation that dominated the art world in the late 1970s and 1980s, Art After Appropriation suggests a matrix of inflections and refusals around the culture of taking or citation, each chapter loosely correlated with one year of the decade between 1989 and 1999. The opening chapters show how the Second World culture of the USSR gave rise to a new visibility for photography during the dissolution of the Soviet Union around 1989. Welchman examines how genres of "]
[{"$nulls":4},"ethnography, documentary and travel are crossed with fic"]