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[null,"1.","Record Nr.",null,"UNINA9910459498503321"]
[null,null,"Autore",null,"Bohlman Philip Vilas"]
[null,null,"Titolo",null,"Focus [[electronic resource] ] : Music, nationalism, and the making of the new Europe / / Philip V. Bohlman"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Routledge, 2010"]
[null,null,"ISBN",null,"1-136-92050-1"]
[{"$nulls":4},"1-282-88615-0"]
[{"$nulls":4},"9786612886157"]
[{"$nulls":4},"0-203-84449-1"]
[null,null,"Edizione",null,"[2nd ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (350 p.)"]
[null,null,"Collana",null,"Focus on world music"]
[null,null,"Disciplina",null,"780.94"]
[null,null,"Soggetti",null,"Music - Europe - History and criticism"]
[{"$nulls":4},"Nationalism in music"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Book Cover; Title; Copyright; Contents; List of Figures; Musical Examples on Compact Disc; Series Foreword; Preface to the Second Edition; Acknowledgments; Note on Translation and the Glossary; CHAPTER 1 Music and Nationalism: Why Do We Love to Hate Them?; CHAPTER 2 The European Nation-State in History; CHAPTER 3 National Music; CHAPTER 4 Nationalist Music; CHAPTER 5 In the Belly of the Beast: Music and Nation in Central Europe; CHAPTER 6 Europeans without Nations: Music at the Borders of the Nation-State; CHAPTER 7 Europeans of Many Nations: Music beyond the Borders of the Nation-State"]
[{"$nulls":4},"CHAPTER 8 The New Europeanness: New Musics and New NationalismsEpilogue: Renewing Europe; Glossary; CD Notes and Commentary; Bibliography; Discography; Filmography; Index"]
[null,null,null,"Sommario/riassunto","Two decades after the fall of communism in Eastern Europe and one decade into the twenty-first century, European music remains one of the most powerful forces for shaping nationalism. Using intensive fieldwork throughout Europe -- from participation in alpine foot pilgrimages to studies of the grandest music spectacle anywhere in the world, the Eurovision Song Contest -- Philip V. Bohlman reveals the ways in which music and nationalism intersect in the shaping of the New Europe. Focus: Music, Nationalism, and the Making of the New "]
[{"$nulls":4},"Europe begins with the emergence of the Euro"]