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[null,"1.","Record Nr.",null,"UNINA9910459210803321"]
[null,null,"Autore",null,"Bednarek Monika <1977->"]
[null,null,"Titolo",null,"The language of fictional television [[electronic resource] ] : drama and identity / / Monika Bednarek"]
[null,null,"Pubbl/distr/stampa",null,"New York, NY, : Continuum International Pub. Group, 2010"]
[null,null,"ISBN",null,"1-282-80644-0"]
[{"$nulls":4},"9786612806445"]
[{"$nulls":4},"1-4411-0527-1"]
[null,null,"Descrizione fisica",null,"1 online resource (294 p.)"]
[null,null,"Disciplina",null,"302.23/45"]
[null,null,"Soggetti",null,"Television broadcasting - Language"]
[{"$nulls":4},"Television series - United States"]
[{"$nulls":4},"Television series - Great Britain"]
[{"$nulls":4},"Mass media and language"]
[{"$nulls":4},"English language - Usage"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Contents; Acknowledgements; 1. Introduction; Part I: Fictional Television: Dialogue and Drama; 2. Analysing Television; 3. The Genre of Dramedy and its Audience; 4. Television Dialogue; Part II: Fictional Television: Character Identity; 5. Dialogue and Character Identity; 6. Expressive Character Identity and Emotive Interjections; 7. The Multimodal Performance; 8. Expressive Character Identity and Ideology: Shared Attitudes; 9. Conclusion; Appendices; Notes to Appendices; References; Indices; General Index; Index of Television Programmes"]
[null,null,null,"Sommario/riassunto","In this book, Monika Bednarek addresses the need for a systemic analysis of television discourse and characterization within linguistics and media studies.   She presents both corpus stylistics and 'manual' analysis of linguistic and multimodal features of fictional television. The first part focuses on communicative context, multimodality, genre, audience and scripted television dialogue while the second part focuses on televisual characterization, introducing and illustrating the novel concept of 'expressive character identity.'. Aside from the study of television dialogue, which informs it"]