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[null,"1.","Record Nr.",null,"UNINA9910459181103321"]
[null,null,"Autore",null,"Clarke David"]
[null,null,"Titolo",null,"Tippett Studies [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge, : Cambridge University Press, 1999"]
[null,null,"ISBN",null,"1-107-17296-9"]
[{"$nulls":4},"0-511-37020-2"]
[{"$nulls":4},"0-511-48199-3"]
[null,null,"Descrizione fisica",null,"1 online resource (250 p.)"]
[null,null,"Collana",null,"Cambridge Composer Studies"]
[null,null,"Disciplina",null,"780"]
[{"$nulls":4},"780.92"]
[null,null,"Soggetti",null,"Composers -- England -- Correspondence"]
[{"$nulls":4},"Composers -- Great Britain -- Correspondence"]
[{"$nulls":4},"Tippett, Michael, 1905-1998 -- Correspondence"]
[{"$nulls":4},"Tippett, Michael, 1905-1998 -- Criticism and interpretation"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Cover; Half-title; Title; Copyright; Dedication; Contents; Preface; References to Tippett's scores and essays; 1 'Only half rebelling': tonal strategies, folksong and 'Englishness' in Tippett's Concerto for Double String Orchestra; I; II; III; IV; 2 From pastiche to free composition: R.O.Morris, Tippett, and the development of pitch resources in the Fantasia Concertante on a Theme of Corelli; I; II; III; IV; 3 'Is there a choice at all?'King Priam and motives for analysis; I; II; III; IV; V"]
[{"$nulls":4},"4 Tippett's Second Symphony, Stravinsky and the language of neoclassicism: towards a critical frameworkI; II; III; 5 Tippett,sequence and metaphor; 6 Tonal elements and their significance in Tippett's Sonata No.3 for Piano; I; II; III; IV; V; VI; 7 'Significant gestures to the past': formal processes and visionary moments in Tippett's Triple Concerto; I; II; III; 8 Tippett's King Priam and 'the tragic vision'; I; II; III; IV; 9 Tippett at the millennium: a personal memoir; 10 Decline or renewal in late Tippett? The Fifth String Quartet in perspective; I; II; III; IV; V"]
[{"$nulls":4},"Appendix: glossary of terms used in pitch-class set theoryIndex"]
[null,null,null,"Sommario/riassunto","This book covers all of Tippett's style-periods and many of the key genres within his oeuvre."]