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[null,"1.","Record Nr.",null,"UNINA9910459115503321"]
[null,null,"Autore",null,"Bradford Richard <1957->"]
[null,null,"Titolo",null,"Graphic poetics [[electronic resource] ] : poetry as visual art / / Richard Bradford"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York, : Continuum, c2011"]
[null,null,"ISBN",null,"1-283-00437-2"]
[{"$nulls":4},"9786613004376"]
[{"$nulls":4},"1-4411-4665-2"]
[null,null,"Descrizione fisica",null,"1 online resource (222 p.)"]
[null,null,"Collana",null,"Continuum literary studies Graphic poetics"]
[null,null,"Disciplina",null,"821.009"]
[null,null,"Soggetti",null,"Poetry and the arts"]
[{"$nulls":4},"Poetics"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Contents; Acknowledgements; Introduction; 1. The Double Pattern; 2. Silent Poetics; 3. Critical Antipathy; 4. The Poet in the Poem; 5. Modernism: Two Versions of Free Verse; 6. Poems as Pictures; 7. The Sliding Scale; 8. The Sliding Scale and Recent Literary History; 9. Conclusion; Notes; Select Bibliography; Index"]
[null,null,null,"Sommario/riassunto","Concrete', 'pattern' or 'shaped' poems are well documented as experimental curiosities. While giving some attention to this sub-genre the book shifts the focus to the ways in which visual form manifests itself in 'traditional' verse, examining poems by Milton, Wordsworth, Eliot, Olson, T.E. Hulme, Auden, Williams, Larkin and Charles Tomlinson. It examines how the tactile presence of the poem on the page transcends the routine distinctions between genre and historical context, emerging as a significant but largely unexamined contribution to modernist poetics. The interpretative methodology is r"]