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[null,"1.","Record Nr.",null,"UNINA9910459101803321"]
[null,null,"Titolo",null,"'Tis pity she's a whore [[electronic resource] ] : a critical guide / / edited by Lisa Hopkins"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York, : Continuum, c2010"]
[null,null,"ISBN",null,"1-282-87431-4"]
[{"$nulls":4},"9786612874314"]
[{"$nulls":4},"1-4411-3755-6"]
[null,null,"Descrizione fisica",null,"1 online resource (206 p.)"]
[null,null,"Collana",null,"Continuum Renaissance drama"]
[null,null,"Disciplina",null,"822.3"]
[null,null,"Soggetti",null,"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [181]-185) and index."]
[null,null,"Nota di contenuto",null,"Contents; Series Introduction; Timeline; Introduction; Chapter 1 The Critical Backstory; Chapter 2 The Performance History; Chapter 3 The State of the Art; Chapter 4 New Directions: Fatal Attraction: Desire, Anatomy and Death in 'Tis Pity She's a Whore; Chapter 5 New Directions: Identifying the Real Whore of Parma; Chapter 6 New Directions: The Confessional Identities of 'Tis Pity She's a Whore; Chapter 7 New Directions: The Deconstructing 'Tis Pity?: Derrida, Barthes and Ford; Chapter 8 New Directions: 'Tis Pity She's a Whore and the Space of the Stage; Chapter 9 A Survey of Resources"]
[{"$nulls":4},"BibliographyNotes on Contributors; Index"]
[null,null,null,"Sommario/riassunto","John Ford's tragedy 'Tis Pity She's A Whore was first performed between 1629 and 1633 and since then its themes of incest, love versus duty and forbidden passion have made it a widely studied and performed, if controversial, play. This guide offers students an introduction to its critical and performance history, including TV and film adaptations. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further indiv"]