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[null,"1.","Record Nr.",null,"UNINA9910458910603321"]
[null,null,"Autore",null,"Wortham Simon"]
[null,null,"Titolo",null,"Derrida : writing events / Simon Morgan Wortham"]
[null,null,"Pubbl/distr/stampa",null,"London ; New York, : Continuum, 2008"]
[null,null,"ISBN",null,"1-4725-4635-0"]
[{"$nulls":4},"1-282-87075-0"]
[{"$nulls":4},"9786612870750"]
[{"$nulls":4},"1-4411-0012-1"]
[null,null,"Descrizione fisica",null,"1 online resource (152 p.)"]
[null,null,"Collana",null,"Continuum studies in Continental philosophy"]
[{"$nulls":4},"Continuum studies in philosophy"]
[null,null,"Disciplina",null,"194"]
[null,null,"Soggetti",null,"Events (Philosophy)"]
[{"$nulls":4},"Written communication"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages [127]-142) and index"]
[null,null,"Nota di contenuto",null,"Introduction : writing the event, or, citations from an archive of the future -- The archive and the anthological -- Writing obsession -- Writing friendship : Agamben and Derrida -- Anonymity writing pedagogy : Beckett, Descartes, Derrida -- Raelity -- Can dreaming be 'political'? : some questions on the politics of cultural studies : an interview with Paul Bowman -- End note : saying the event"]
[{"$nulls":4},"Introduction: Writing the Event, or Citations from an Archive of the Future -- 1. The Archive and the Anthological -- 2. Writing Obsession -- 3. Writing Friendship: Agamben and Derrida -- 4. Anonymity Writing Pedagogy: Beckett, Descartes, Derrida -- 5. Reality -- 6. Can Dreaming Be 'Political'?: Some Questions on the 'Politics' of Cultural Studies -- Endnote: Saying the Event -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","Derrida wrote a vast number of texts for particular events across the world, as well as a series of works that portray him as a voyager. As an Algerian émigré, a postcolonial outsider, and an idiomatic writer who felt tied to a language that was not his own, and as a figure obsessed by the singularity of the literary or philosophical event, Derrida emerges as one whose thought always arrives on occasion. But how are we to understand the event in Derrida? Is there a risk that such stories of Derrida's work tend to misunderstand the essential unpredictability at work in the conditions of his thought? And how are we to reconcile the importance in Derrida of the unknowable event, the pull of the "]
[{"$nulls":4},"singular, with deconstruction's critical and philosophical rigour and its claims to rethink more systematically the ethico-political field. This book argues that this negotiation in fact allows deconstruction to reformulate the very questions that we associate with ethical and political responsibility and shows this to be the central interest in Derrida's work"]