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[null,"1.","Record Nr.",null,"UNINA9910458738503321"]
[null,null,"Autore",null,"Kaplan E. Ann."]
[null,null,"Titolo",null,"Women and film : both sides of the camera / / E. Ann Kaplan"]
[null,null,"Pubbl/distr/stampa",null,"London : , : Routledge, , 1983, 2001"]
[null,null,"ISBN",null,"1-85727-081-9"]
[{"$nulls":4},"1-134-97241-5"]
[{"$nulls":4},"1-280-32849-5"]
[{"$nulls":4},"0-203-13531-8"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (273 p.)"]
[null,null,"Disciplina",null,"791.430909352042"]
[null,null,"Soggetti",null,"Women in motion pictures"]
[{"$nulls":4},"Women in the motion picture industry"]
[{"$nulls":4},"Feminist films - History and criticism"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"First published in 1983 by Methuen, Inc.\""]
[null,null,null,"Nota di bibliografia","Includes bibliography: p. [242]-252 and index."]
[null,null,"Nota di contenuto",null,"Cover; WOMEN AND FILM: Both sides of the camera; Copyright; Contents; List of plates; Preface; Acknowledgements; Introduction; PART I The classical and contemporary Hollywood cinema; 1 Is the gaze male?; 2 Patriarchy and the male gaze in Cukor's Camille (1936); 3 Fetishism and the repression of Motherhood in Von Sternberg's Blonde Venus {1932); 4 The struggle for control over the female discourse and female sexuality in Welles's Lady from Shanghai (1946); 5 Forms of phallic domination in the contemporary Hollywood film: Brooks's Looking for Mr Goodbar (1977)"]
[{"$nulls":4},"PART II The independent feminist film6 The avant-gardes in Europe and the USA; 7 Silence as female resistance in Marguerite Duras's Nathalie Granger (1972); 8 Female politics in the symbolic realm: Von Trotta's Marianne and ]uliane (The German Sisters) (1981); 9 The American experimental woman's film: Yvonne Rainer's Lives of Performers and Film about a Woman Who . . . (1972-4); 10 The realist debate in the feminist film: a historical overview of theories and strategies in realism and the avant-garde theory film (1971-81)"]
[{"$nulls":4},"11 The avant-garde theory film: three case studies from Britain and the USA: Sigmund Freud's Dora (1979), Thriller (1979), Mulvey/Wollen's Amy! (1980)12 Mothers and daughters in two recent women's films: Mulvey/Wollen's Riddles of the Sphinx (1976) and Michelle Citron's "]
[{"$nulls":4},"Daughter-Rite (1978); 13 The woman director in the Third World: Sara Gomez's One Way or Another (1974); 14 The future of the independent feminist film: strategies of production, exhibition, and distribution in the USA; 15 Conclusion: Motherhood and patriarchal discourse; Notes; Filmographies and synopses; Appendix for teachers"]
[{"$nulls":4},"BibliographyName index; Subject index"]
[null,null,null,"Sommario/riassunto","\"\"Written with unequivocal enthusiasm for film, feminism and theory, \"\"Women and Film\"\" is a welcome and useful guide to a complex area.\"\"--\"\"The Arts\"\""]