{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":20,"n_cols":5,"rows_kept":20,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[14,2,14,3],[15,2,15,3],[18,2,18,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910458559003321"]
[null,null,"Autore",null,"Sherry Vincent B"]
[null,null,"Titolo",null,"Ezra Pound, Wyndham Lewis, and radical modernism [[electronic resource] /] / Vincent Sherry"]
[null,null,"Pubbl/distr/stampa",null,"New york, : Oxford University Press, 1993"]
[null,null,"ISBN",null,"1-280-44256-5"]
[{"$nulls":4},"1-4237-6480-3"]
[{"$nulls":4},"0-19-536031-1"]
[{"$nulls":4},"1-60129-895-1"]
[null,null,"Descrizione fisica",null,"1 online resource (241 p.)"]
[null,null,"Disciplina",null,"810.9/358/0904"]
[null,null,"Soggetti",null,"Radicalism in literature"]
[{"$nulls":4},"Fascism and literature"]
[{"$nulls":4},"Modernism (Literature)"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,"Nota di contenuto",null,"CONTENTS; ILLUSTRATIONS; Prologue; 1 From the Continent to England, 1889-1925; Musical Empathy; Political Aesthetics; European Vortex; This Hulme Business; 2 Ezra Pound, 1908-1920; Negotiations; Early Cantos: Auditing the Tradition; Hugh Selwyn Mauberley; 3 Wyndham Lewis: L'Entre Deux Guerres; Untuning the Word; The Failure of Art; The Art of Failure; 4 Ezra Pound, 1921-1939; Resuming the Cantos: Eliot, Dada, Major Form; Making Friends with the Enemy; States of Excess; Epilogue; NOTES; INDEX; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Y"]
[null,null,null,"Sommario/riassunto","This study examines the relation between the aesthetic convictions and political opinions of the Anglo-American modernists, focusing on the collaboration between Pound and Lewis. It attempts to account for their parallel movements towards the parties of European fascism."]