{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":18,"n_cols":5,"rows_kept":18,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[3,2,3,3],[5,2,5,3],[6,2,6,3],[8,2,8,3],[10,2,10,3],[11,2,11,3],[15,2,15,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910458479003321"]
[null,null,"Titolo",null,"The Gershwin style [[electronic resource] ] : new looks at the music of George Gershwin / / edited by Wayne Schneider"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Oxford University Press, 1999"]
[null,null,"ISBN",null,"1-280-76049-4"]
[{"$nulls":4},"0-19-535815-5"]
[null,null,"Descrizione fisica",null,"1 online resource (305 p.)"]
[null,null,"Disciplina",null,"780.92"]
[{"$nulls":4},"780/.92"]
[null,null,"Soggetti",null,"Music - History and criticism"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Contents; Introduction; 1 Towards a New Reading of Gershwin; PART I: ANALYSIS AND MANUSCRIPT STUDIES; 2 \"\"Rotating\"\" Porgy and Bess; 3 Gershwin's Operetta Overtures: Medley or Composition?; 4 Nice Work: Thoughts and Observations on Gershwin's Last Songs; 5 Musings on \"\"Nice Gershwin Tunes,\"\" Form, and Harmony in the Concert Music of Gershwin; 6 Gershwin's Blue Monday (1922) and the Promise of Success; PART II: RECEPTION; 7 Rhapsody in Blue: A Study in Hollywood Hagiography; 8 Gershwin on the Cover of Rolling Stone; 9 George Gershwin and Jazz; PART III: PERFORMANCE PRACTICE"]
[{"$nulls":4},"10 Tracing Gershwin's Piano Rolls11 George Gershwin's Piano Rollography; 12 What about Ira?; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z"]
[null,null,null,"Sommario/riassunto","Introduction: The Gershwin Style, Wayne Schneider. Part 1: Analysis and Manuscript Studies. Toward a New Reading of Gershwin, Charles Hamm. Rotating Porgy and Bess, Wayne D. Shirley. Gershwin's Operetta Overtures: Medley or Composition?, Wayne Schneider. Nice Work: Thoughts and Observations on Gershwin's Last Songs, Stephen E Gilbert. Some Musing's on 'Nice Gershwin Tunes': Form, and Harmony in the Concert Music of George Gershwin, Larry Starr. Part 2: Reception. Rhapsody in Blue: A Study in Hollywood Hagiography, Charlotte Greenspan. Gershwin on the Cover of Rolling Stone, Susan Richardson. G"]