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[null,"1.","Record Nr.",null,"UNINA9910458389603321"]
[null,null,"Autore",null,"Meulders Michel"]
[null,null,"Titolo",null,"Helmholtz [[electronic resource] ] : from enlightenment to neuroscience / / Michel Meulders ; translated and edited by Laurence Garey"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge, MA, : MIT Press, c2010"]
[null,null,"ISBN",null,"0-262-31195-X"]
[{"$nulls":4},"1-282-89927-9"]
[{"$nulls":4},"9786612899270"]
[{"$nulls":4},"0-262-28964-4"]
[null,null,"Descrizione fisica",null,"1 online resource (255 p.)"]
[null,null,"Disciplina",null,"509.2"]
[{"$nulls":4},"B"]
[null,null,"Soggetti",null,"Scientists - Germany"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Translated from the French."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Contents; Author's Acknowledgments; Translator's Introduction; Preface; Prelude; 1 Helmholtz; 2 Natural Philosophy in Young Helmholtz's Time; 3 Johannes Müller, \"Man of Iron\"; 4 Vitalism; 5 Helmholtz and the Understanding of Nature; Intermezzo with Artists; 6 In Search of Lost Time; 7 Goethe and His Vision of Nature; 8 The Dispute about Colors; 9 The Founding Regard; 10 For or Against Pythagoras?; 11 The Musical Ear; Conclusion; Postface; Notes; Bibliography"]
[null,null,null,"Sommario/riassunto","\"Although Hermann von Helmholtz was one of the most remarkable figures of nineteenth-century science, he is little known outside his native Germany. Helmholtz (1821-1894) made significant contributions to the study of vision and perception and was also influential in the painting, music, and literature of the time; one of his major works analyzed tone in music. This book, the first in English to describe Helmholtz's life and work in detail, describes his scientific studies, analyzes them in the context of the science and philosophy of the period---in particular the German Naturphilosophie---and gauges his influence on today's neuroscience.\" \"Helmholtz, trained by Johannes Muller, one of the best physiologists of his time, used a resolutely materialistic and empirical scientific method in his research. This puts him in the tradition of Kant and the English empirical philosophers and "]
[{"$nulls":4},"directly opposed to the idealists and naturalists who interpreted nature based on metaphysical presuppositions. Helmholtz's research on color vision put him at odds with Goethe's more romantic theorizing on the subject; but at the end of his life, Helmholtz honored Goethe's contributions, acknowledging that artistic intuition could reveal truths about the human mind that are inaccessible to science.\" \"Helmholtz's work, eclipsed at the beginning of the twentieth century by new ideas in neurophysiology, has recently been rediscovered. We can now recognize in Helmholtz's methods---which were based on his belief in the interconnectedness of physiology and psychology---the origins of neuroscience.\"--Jacket."]
[null,"2.","Record Nr.",null,"UNINA9910463463803321"]
[null,null,"Titolo",null,"How to do comparative religion? [[electronic resource] ] : three ways, many goals / / edited by René Gothóni"]
[null,null,"Pubbl/distr/stampa",null,"Berlin ; ; New York, : Walter de Gruyter, c2005"]
[null,null,"ISBN",null,"3-11-092260-6"]
[null,null,"Descrizione fisica",null,"1 online resource (231 p.)"]
[null,null,"Collana",null,"Religion and reason ; ; v. 44"]
[null,null,"Classificazione",null,"BE 3750"]
[null,null,"Disciplina",null,"200.72"]
[null,null,"Soggetti",null,"Religions"]
[{"$nulls":4},"Phenomenology"]
[{"$nulls":4},"Hermeneutics"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and indexes."]
[null,null,"Nota di contenuto",null,"Front matter -- Preface -- Contents -- Understanding Religion -- Introduction / Gothóni, René -- Major Contributions of Philosophical Phenomenology and Hermeneutics to the Study of Religion / Allen, Douglas -- Phenonomenology of Religion: Between 'Given' and Constructed / Laitila, Teuvo -- \"Going, going, gone\" - Or How I Fail to Gain Hermeneutic Understanding / Sjöblom, Tom -- Phenomenology as a Preliminary Method / Utriainen, Terhi -- Response / Allen, Douglas -- Explaining Religion -- Introduction / Pyysiäinen, Ilkka -- Beyond Thick Descriptions and Interpretive Sciences: Explaining Religious Meaning / Wiebe, Donald -- The Limits of Explaining in Religious Studies / Holm, Nils G. -- Science/Religion Controversy - Are the Grounds of Naturalism Still Valid for Their Confrontation? / Anttonen, Veikko -- Understanding the Other / Gothóni, René -- Response / Wiebe, Donald -- Critical Approaches in the Comparative Study of Religion -- Introduction / Sakaranaho, Tuula -- Methodology - Tool or Trap? Comments from a Feminist Perspective / Gross, Rita M. -- Research and Sexual Difference / Heinämäki, Elisa -- When is Methodology a Trap? / Ketola, Kimmo -- Skyhooks and Toeholds in the Study of Religion / Taira, Teemu -- Response / Gross, Rita Μ. -- Summary -- Religion and Relations. The Social Dimension of Methodological Argumentation / Vesala, Kari Mikko / Pesonen, Heikki -- Index of Authors -- Index of Subject"]
[null,"3.","Record Nr.",null,"UNISA996248175703316"]
[null,null,"Autore",null,"Saunders Thomas J"]
[null,null,"Titolo",null,"Hollywood in Berlin [[electronic resource] ] : American cinema and Weimar, Germany / / Thomas J. Saunders"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley, : University of California Press, c1994"]
[null,null,"ISBN",null,"0-520-91416-3"]
[{"$nulls":4},"0-585-07922-6"]
[null,null,"Edizione",null,"[1 frontisp., Reprint 2020]"]
[null,null,"Descrizione fisica",null,"1 online resource (x, 332 p. ) : ill. ;"]
[null,null,"Collana",null,"Weimar and now ; ; 6"]
[null,null,"Disciplina",null,"791.43/0943"]
[null,null,"Soggetti",null,"Motion pictures - Germany - History"]
[{"$nulls":4},"Motion pictures, American - Germany - Influence"]
[{"$nulls":4},"Motion pictures, German - United States - Influence"]
[{"$nulls":4},"National characteristics, American, in motion pictures"]
[{"$nulls":4},"National characteristics, German, in motion pictures"]
[{"$nulls":4},"Motion pictures - History - Germany"]
[{"$nulls":4},"Motion pictures, American - Influence - Germany"]
[{"$nulls":4},"Motion pictures, German - Influence - United States"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 315-325) and index."]
[null,null,"Nota di contenuto",null,"Front matter -- CONTENTS -- ILLUSTRATIONS -- ACKNOWLEDGMENTS -- INTRODUCTION -- CHAPTER 1. THE SETTING: WEIMAR GERMANY AND THE MOTION PICTURE -- CHAPTER 2. GERMAN-AMERICAN FILM RELATIONS: COMPETITION AND COOPERATION -- CHAPTER 3. HOLLYWOOD IN BERLIN: THE INITIATION, 1921-1923 -- CHAPTER 4. THE HOLLYWOOD INVASION: AMERIKANISMUS AND AMERIKAMÛDIGKEIT -- CHAPTER 5. EXCURSUS: POPULAR CULTURE AND AMERICAN HEGEMONY -- CHAPTER 6. COMIC REDEMPTION: THE SLAPSTICK SYNTHESIS -- CHAPTER 7. GERMAN-AMERICAN PRODUCTION IN HOLLYWOOD AND THE MEANING OF NATIONAL CINEMA -- CHAPTER 8. THE COMING OF SOUND AND THE WANING OF AMERICA -- CONCLUSION -- NOTES -- SELECT BIBLIOGRAPHY -- INDEX"]