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[null,"1.","Record Nr.",null,"UNINA9910458246503321"]
[null,null,"Autore",null,"Kater Michael H."]
[null,null,"Titolo",null,"The Twisted Muse [[electronic resource] ] : Musicians and Their Music in the Third Reich"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Oxford University Press, 1999"]
[null,null,"ISBN",null,"1-281-34680-2"]
[{"$nulls":4},"9786611346805"]
[{"$nulls":4},"0-19-535107-X"]
[{"$nulls":4},"1-60256-399-3"]
[null,null,"Descrizione fisica",null,"1 online resource (344 p.)"]
[null,null,"Disciplina",null,"780.943"]
[null,null,"Soggetti",null,"Fine Arts"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Contents; Abbreviations; Introduction; 1 NATIONAL SOCIALISM, THE THIRD REICH, AND THE MUSIC SCENE; Music, Economics, and Political Opportunism; Nazi Agencies of Music Administration; Nazi Musical Careers; 2 MUSICAL PROFESSIONALISM AND POLITICAL COMPROMISE; Hitler's Bias: Knappertsbusch and His Nemesis Krauss; Political Allegiance and Career Enhancement; 3 PERSECUTED AND EXILED JEWISH AND ANTI-NAZI MUSICIANS; Nazi Anti-Semitic Policy in the Music Sector; Jewish Musicians under Nazi Rule; Jewish Flight and Exile; Exiled Non-Jewish Musicians; 4 MUSIC IN THE INSTITUTIONS"]
[{"$nulls":4},"Family, School, and Hitler YouthThe Academies and the Protestant Church; 5 DISSONANCE AND DEVIANCE; The Nazi Struggle for Modernity in Music; The Ambiguities of Dissidence: Orff, Wagner-Régeny, and Furtwängler; Balancing Acts: Strauss and Pfitzner; Forms of Resistance; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z;"]
[null,null,null,"Sommario/riassunto","Under a totalitarian regime, can art and artists be innocent? This questions and its implications are explored in Michael Kater's broad survey of musicians, and the music they composed and performed during the Third Reich."]