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[null,"1.","Record Nr.",null,"UNINA990006850670403321"]
[null,null,"Autore",null,"Wackernagel, Mathis"]
[null,null,"Titolo",null,"L'impronta ecologica : come ridurre l'impatto dell'uomo sulla terra / Mathis Wackernagel, William Rees ; ediz. ital. a cura di Gianfranco Bologna e Paolo Lombardi"]
[null,null,"Pubbl/distr/stampa",null,"Milano : Edizioni Ambiente, 1996"]
[null,null,"Descrizione fisica",null,"XVI, 160 p. ; 23 cm"]
[null,null,"Disciplina",null,"333.72"]
[null,null,"Locazione",null,"FSPBC"]
[null,null,"Collocazione",null,"VII C 271"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910457996103321"]
[null,null,"Autore",null,"Smolderen Thierry"]
[null,null,"Titolo",null,"The origins of comics : from William Hogarth to Winsor McCay / / Thierry Smolderen ; translated by Bart Beaty and Nick Nguyen"]
[null,null,"Pubbl/distr/stampa",null,"Jackson, Mississippi : , : University Press of Mississippi, , 2014"]
[{"$nulls":4},"©2000"]
[null,null,"ISBN",null,"1-61703-149-6"]
[{"$nulls":4},"1-62103-992-7"]
[null,null,"Descrizione fisica",null,"1 online resource (175 p.)"]
[null,null,"Disciplina",null,"741.5/9"]
[null,null,"Soggetti",null,"Comic books, strips, etc - History and criticism"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"William Hogarth: Readable Images -- Graffiti and Little Doodle Men -- The Arabesque Novels of Rodolphe Töpffer -- \"Go, Little Book!\" -- The Evolution of the Press -- A. B. Frost and the Photographic Revolution -- From the Label to the Balloon -- Winsor McCay: The Last Baroque."]
[null,null,null,"Sommario/riassunto","\"In The Origins of Comics: From William Hogarth to Winsor McCay, Thierry Smolderen presents a cultural landscape whose narrative differs in many ways from those presented by other historians of the comic strip. Rather than beginning his inquiry with the popularly accepted \"sequential art\" definition of the comic strip, Smolderen instead wishes to engage with the historical dimensions that inform that definition. His goal is to understand the processes that led to the twentieth-century comic strip, the highly recognizable species of picture stories that he sees crystallizing around 1900 in the United States.Featuring close readings of the picture stories, caricatures, and humoristic illustrations of William Hogarth, Rodolphe Töpffer, Gustave Dore, and their many contemporaries, Smolderen establishes how these artists were immersed in a very old visual culture in which images--satirical images in particular--were deciphered in a way that was often described as hieroglyphical. Across eight chapters, he acutely points out how the effect of the printing press and the mass advent of audiovisual technologies (photography, audio recording, and cinema) at the end of the nineteenth century led to a new twentieth-century visual culture. In tracing this evolution, Smolderen distinguishes himself from other "]
[{"$nulls":4},"comics historians by following a methodology that explains the present state of the form of comics on the basis of its history, rather than presenting the history of the form on the basis of its present state. This study remaps the history of this influential art form\"--"]