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[null,"1.","Record Nr.",null,"UNINA9910457898103321"]
[null,null,"Autore",null,"Vaughn Maura"]
[null,null,"Titolo",null,"The anatomy of a choice : an actor's guide to text analysis / / Maura Vaughn"]
[null,null,"Pubbl/distr/stampa",null,"Lanham, Maryland : , : University Press of America, , 2010"]
[{"$nulls":4},"©2010"]
[null,null,"ISBN",null,"0-7618-5110-0"]
[null,null,"Descrizione fisica",null,"1 online resource (144 p.)"]
[null,null,"Disciplina",null,"792.02/8"]
[null,null,"Soggetti",null,"Acting"]
[{"$nulls":4},"Drama - Technique"]
[{"$nulls":4},"Theater"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"The Anatomy of a Choice:; Dedication; Anatomy of a Choice Contents; FOREWORD; INTRODUCTION; CHAPTER ONE The First Word; CHAPTER TWO Reading the Play; First Reading-Defining the Story; Second Reading-Defining the Event; Third Reading-Defining the Character; Character Interview Worksheet; CHAPTER THREE What do I want?; The Super-objective; The Scene Objective; CHAPTER FOUR What is in my way?; Obstacle; CHAPTER FIVE What do I do to get what I want?; Beats; Tactics; Pivotal Point; CHAPTER SIX Creating the world of the character; Magic If; The Moment Before and the Moment After"]
[{"$nulls":4},"The Inner Monologue and SubtextEndowment; Stage Business and Secondary Activity; Secret; CHAPTER SEVEN Into rehearsal; Bringing Choices to Life; Tools for Rehearsal; Rehearsal Journal; Troubleshooting-When Nothing is Working; The Final Word; APPENDIX The Anatomy of a Scene; A Streetcar Named Desire: Scene Ten1; ACKNOWLEDGEMENTS; NOTES; BIBLIOGRAPHY"]
[null,null,null,"Sommario/riassunto","This book offers the actor a concrete method for approaching a script. This guide details a simple process to discover and define a character's scene and super-objective, obstacle, beats, and tactics. It includes practical information on building a character, maximizing rehearsal time, and what to do when nothing is working."]