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[null,"1.","Record Nr.",null,"UNINA9910457648703321"]
[null,null,"Autore",null,"Charles Victoria"]
[null,null,"Titolo",null,"L'art roman [[electronic resource] /] / Victoria Charles et Klaus H. Carl ; [traduction, Isabelle Lestang et Françoise Lassebille]"]
[null,null,"Pubbl/distr/stampa",null,"[New York], : Parkstone International, [2012]"]
[null,null,"ISBN",null,"1-283-95222-X"]
[{"$nulls":4},"1-78042-768-9"]
[null,null,"Descrizione fisica",null,"1 online resource (200 p.)"]
[null,null,"Collana",null,"Collection art of century"]
[null,null,"Disciplina",null,"709.44"]
[null,null,"Soggetti",null,"Art, Romanesque"]
[{"$nulls":4},"Architecture, Romanesque"]
[{"$nulls":4},"Sculpture, Romanesque"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Sommaire; Introduction; I. Le Système architectural roman; II. Les Édifices romans d'Europe centrale; L'Allemagne; L'Autriche; L'Italie; La France; La France septentrionale; La France de l'Ouest; La France méridionale; La France du Centre; La France du Sud-Ouest; L'Espagne; Le Royaume-Uni; La Scandinavie; La Pologne; III. La Sculpture et la peinture romanes; La Sculpture; La France; La Peinture; L'Enluminure; La Peinture sur verre; La Peinture murale et la peinture sur bois; Conclusion; Bibliographie; Liste des illustrations"]
[null,null,null,"Sommario/riassunto","Terme entré dans l'usage courant au cours de la première moitié du XIXe siècle, l'art roman distingue, en histoire de l'art, la période qui s'étend entre le début du XIe jusqu'à la fin du XIIe siècle. Révélant une grande diversité d'écoles régionales, chacune démontrant ses spécificités, l'art roman, dans l'architecture comme dans la sculpture, est marqué par ses formes brutes. Par sa riche iconographie, au fil d'un texte captivant, cet ouvrage nous propose de redécouvrir cet art moyenâgeux, encore souvent trop peu considéré face à l'art gothique qui lui succéda."]