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[null,"1.","Record Nr.",null,"UNINA990006745300403321"]
[null,null,"Autore",null,"Foucault, Michel <1926-1984>"]
[null,null,"Titolo",null,"Power / Knowledge. Selected Interviews and Other Writings. 1972-1977 / Michel Foucault ; Edited by C.Gordon"]
[null,null,"Pubbl/distr/stampa",null,"Brighton : Harvester Press, 1980"]
[null,null,"Descrizione fisica",null,"XII, 270 p. ; 22 cm"]
[null,null,"Locazione",null,"FSPBC"]
[{"$nulls":4},"DTE"]
[null,null,"Collocazione",null,"XII A 519"]
[{"$nulls":4},"XV D 342"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910457643503321"]
[null,null,"Autore",null,"Brodskai͡a N. V (Natalʹi͡a Valentinovna)"]
[null,null,"Titolo",null,"Symbolismus [[electronic resource] /] / Nathalia Brodskaïa"]
[null,null,"Pubbl/distr/stampa",null,"[New York], : Parkstone International, [2012]"]
[null,null,"ISBN",null,"1-283-95174-6"]
[{"$nulls":4},"1-78042-347-0"]
[null,null,"Descrizione fisica",null,"1 online resource (200 p.)"]
[null,null,"Collana",null,"Kollektion kunst der jahrhunderte"]
[null,null,"Disciplina",null,"700"]
[null,null,"Soggetti",null,"Symbolism (Art movement)"]
[{"$nulls":4},"Painting, Modern - 19th century"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Inhalt; Einleitung: Manifest des Symbolismus vonJean Moréas; DER SYMBOLISMUS; ERSTE SZENE; SZENE II; I. Der Symbolismus in der Literatur; II. Symbolistische Gedichte; Charles Baudelaire, Ein Kadaver; Charles Baudelaire, Übereinstimmungen; Charles Baudelaire, Spleen; René Ghil, In der Zeit der Götter; Remy de Gourmont, Hieroglyphen; Joris-Karl Huysmans, Einleitendes Sonett; Alfred Jarry, Barden und Saiten; Gustave Kahn, Der Kelch; Jules Laforgue, Beschwerden der Klaviere, die man in besserenGegenden hört; Maurice Maeterlinck, Herzgewächse; Stéphane Mallarmé, Der Nachmittag eines Fauns(Auszug)"]
[{"$nulls":4},"Robert de Montesquiou, Hymne an die NachtJean Moréas, Sinnlichkeit; Anna de Noailles, Der Tod sagte zu dem Menschen...; Henri de Régnier, An Stéphane Mallarmé; Arthur Rimbaud, Vokale; Saint-Pol-Roux, Der Reinigende Regen; Paul Valéry, Helena; Emile Verhaeren, Der Felsen; Paul Verlaine, Dichtkunst; Paul Verlaine, Mattigkeit; III. Der Symbolismus in der Kunst; Wichtige Künstler; Pierre Puvis de Chavannes(Lyon, 1824 - Paris, 1898); Arnold Böcklin(Basel, 1827 - Zürich, 1901); Gustave Moreau(Paris, 1828 - Paris, 1898); Dante Gabriel Rossetti(London, 1828 - Birchington-on-Sea, 1882)"]
[{"$nulls":4},"Edward Burne-Jones(Birmingham, 1833 - London, 1889)Odilon Redon(Bordeaux, 1840 - Paris, 1916); Eugène Carrière(Gournay-sur-Marne, 1849 - Paris, 1906); Michail Alexandrowitsch Wrubel(Omsk, 1856 - St. Petersburg, 1910); Fernand Khnopff(Grembergen-lez-Termonde, 1858 - Brüssel, 1921); Jan Toorop(Purworedjo, 1858 - Den Haag, 1928); "]
[{"$nulls":4},"Edvard Munch(Løten, 1863 - Ekely, 1944); Franz von Stuck(Tettenweis, 1863 - München, 1928); Jens Ferdinand Willumsen(Kopenhagen, 1863 - Le Canet, 1958); Maurice Denis(Granville, 1870 - Paris, 1943); Anmerkungen; Bibliographie; Index"]
[null,null,null,"Sommario/riassunto","Der Symbolismus ist eine Erscheinung des Fin-de-Siècle, der seinen Anfang in den 1880er Jahren in Frankreich nahm und zu Anfang des 20. Jahrhunderts auch im übrigen Europa Fuß fasste. Die von der antiken Mythologie faszinierten Symbolisten versuchten, sich der von der Wissenschaft etablierten Herrschaft der Rationalität zu entziehen. Sie wollten die sichtbare Welt und die Vernunft überwinden, um zur Welt des reinen Denkens und der Ästhetik, ja sogar zum Unterbewusstsein, vorzudringen.Die Franzosen Gustave Moreau, Odilon Redon, die Belgier Fernand Khnopff und Félicien Rops, die Engländer Edward"]