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[null,"1.","Record Nr.",null,"UNINA9910457621103321"]
[null,null,"Autore",null,"Ross Janice"]
[null,null,"Titolo",null,"Anna Halprin [[electronic resource] ] : experience as dance / / Janice Ross ; foreword by Richard Schechner"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley, : University of California Press, c2007"]
[null,null,"ISBN",null,"1-281-75244-4"]
[{"$nulls":4},"1-4294-7178-6"]
[{"$nulls":4},"9786611752446"]
[{"$nulls":4},"0-520-93282-X"]
[{"$nulls":4},"1-4337-0964-3"]
[null,null,"Descrizione fisica",null,"1 online resource (497 p.)"]
[null,null,"Disciplina",null,"792.8092"]
[{"$nulls":4},"B"]
[null,null,"Soggetti",null,"Dancers - United States"]
[{"$nulls":4},"Modern dance"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"Simpson, imprint in humanities\"--Prelim. p."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 421-429) and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Foreword -- Preface -- 1. Why She Danced 1920 - 1938 -- 2. The Secret Garden of American Dance 1938 - 1942 -- 3. The Bauhaus and the Settlement House 1942- 1945 -- 4. Western Spaces 1945 - 1955 -- 5. Instantaneous Experience, Lucy, and Beat Culture 1955 - 1960 -- 6. Urban Rituals 196 1- 1967 -- 7. From Spectator to Participant 1967- 1968 -- 8. Ceremony of Memory 1968 - 197 1 -- 9. Illness as Performance 1972- 1991 -- 10. Choreographing Disappearance: Dances of Aging 1992-2006 -- Acknowledgments -- Notes -- Chronology of Performances, Videos, and Films -- Selected Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","Anna Halprin pioneered what became known as \"postmodern dance,\" creating work that was key to unlocking the door to experimentation in theater, music, Happenings, and performance art. This first comprehensive biography examines Halprin's fascinating life in the context of American culture-in particular popular culture and the West Coast as a center of artistic experimentation from the Beats through the Hippies. Janice Ross chronicles Halprin's long, remarkable career, beginning with the dancer's grandparents-who escaped Eastern "]
[{"$nulls":4},"European pogroms and came to the United States at the turn of the last century-and ending with the present day, when Halprin continues to defy boundaries between artistic genres as well as between participants and observers. As she follows Halprin's development from youth into old age, Ross describes in engrossing detail the artist's roles as dancer, choreographer, performance theorist, community leader, cancer survivor, healer, wife, and mother. Halprin's friends and acquaintances include a number of artists who charted the course of postmodern performance. Among her students were Trisha Brown, Simone Forti, Yvonne Rainer, Meredith Monk, and Robert Morris. Ross brings to life the vital sense of experimentation during this period. She also illuminates the work of Anna Halprin's husband, the important landscape architect Lawrence Halprin, in the context of his wife's environmental dance work. Using Halprin's dance practices and works as her focus, Ross explores the effects of danced stories on the bodies who perform them. The result is an innovative consideration of how experience becomes performance as well as a masterful account of an extraordinary life."]
[null,"2.","Record Nr.",null,"UNINA9910793368103321"]
[null,null,"Autore",null,"Lee Wendy Anne <1976->"]
[null,null,"Titolo",null,"Failures of Feeling : Insensibility and the Novel / / Wendy Anne Lee"]
[null,null,"Pubbl/distr/stampa",null,"Stanford, CA : , : Stanford University Press, , [2019]"]
[{"$nulls":4},"©2019"]
[null,null,"ISBN",null,"1-5036-0747-X"]
[null,null,"Descrizione fisica",null,"1 online resource (237 pages)"]
[null,null,"Disciplina",null,"823.009/353"]
[null,null,"Soggetti",null,"English fiction - History and criticism"]
[{"$nulls":4},"Emotions in literature"]
[{"$nulls":4},"Fiction - Psychological aspects"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Introduction: The Bartleby Problem -- 1. A Brief History of the Prude -- 2. Clarissa’s Marble Heart -- 3. The Man of No Feeling -- 4. Sense, Insensibility, Sympathy -- Conclusion: Death Wish for the Novel -- Acknowledgments -- Note on Citations -- Notes -- Index"]
[null,null,null,"Sommario/riassunto","This book recovers the curious history of the \"insensible\" in the Age of Sensibility. Tracking this figure through the English novel's uneven and messy past, Wendy Anne Lee draws on Enlightenment theories of the passions to place philosophy back into conversation with narrative. Contemporary critical theory often simplifies or disregards earlier accounts of emotions, while eighteenth-century studies has focused on cultural histories of sympathy. In launching a more philosophical inquiry about what emotions are, Failures of Feeling corrects for both of these oversights. Proposing a fresh take on emotions in the history of the novel, its chapters open up literary history's most provocative cases of unfeeling, from the iconic scrivener who would prefer not to and the reviled stock figure of the prude, to the heroic rape survivor, the burnt-out man-of-feeling, and the hard-hearted Jane Austen herself. These pivotal cases of insensibility illustrate a new theory of mind and of the novel predicated on an essential paradox: the very phenomenon that would appear to halt feeling and plot actually compels them. Contrary to the assumption that fictional investment relies on a richness of interior life, Lee shows instead that nothing incites the passions like dispassion."]