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[null,"1.","Record Nr.",null,"UNINA9910457607703321"]
[null,null,"Autore",null,"Mohr Jürgen"]
[null,null,"Titolo",null,"From an affluent society to a happy society [[electronic resource] ] : vital signs promising a change and the impacts on industries / / Jürgen Mohr"]
[null,null,"Pubbl/distr/stampa",null,"Hamburg, : Diplomica Verlag, 2011"]
[null,null,"ISBN",null,"3-8428-0578-0"]
[null,null,"Descrizione fisica",null,"1 online resource (95 p.)"]
[null,null,"Disciplina",null,"257"]
[null,null,"Soggetti",null,"Social change"]
[{"$nulls":4},"Social prediction"]
[{"$nulls":4},"Social change - Economic aspects"]
[{"$nulls":4},"Industries - Social aspects"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from cover."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"From an Affluent Society to a Happy Society Vital Signs Promising a Change and the Impacts on Industries"]
[null,null,null,"Sommario/riassunto","HauptbeschreibungFacts and figures indicate a continuously increasing societal welfare. But what about its impacts on the environment? The growing wealth has been accompanied by environmental degradation, deforestation, losses in bio-diversity, global warming, air pollution, depletion of the ozone layer, and overfishing. Recent measurements have been performed related to the depletion of natural resources showing that humans currently use the resources of 1.25 Earths. At the current consumption levels of high-income countries, the world could only sustainably support 1.75 billion pe"]
[null,"2.","Record Nr.",null,"UNINA9910459666403321"]
[null,null,"Autore",null,"Shepherd-Barr Kirsten <1966->"]
[null,null,"Titolo",null,"Theatre and evolution from Ibsen to Beckett / / Kirsten E. Shepherd-Barr ; cover design, Noah Arlow"]
[null,null,"Pubbl/distr/stampa",null,"New York, [New York] : , : Columbia University Press, , 2015"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"0-231-53892-8"]
[null,null,"Descrizione fisica",null,"1 online resource (397 p.)"]
[null,null,"Disciplina",null,"700.1/05"]
[null,null,"Soggetti",null,"Science and the arts - History"]
[{"$nulls":4},"Theater and society - History"]
[{"$nulls":4},"Evolution (Biology)"]
[{"$nulls":4},"Science - Social aspects - History"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Preface -- Acknowledgments -- Introduction -- 1. \"I'm Evolving!\": Birds, Beasts, and Parodies -- 2. Confronting the Serious Side -- 3. \"On the Contrary!\": Ibsen's Evolutionary Vision -- 4. \"Ugly . . . but Irresistible\": Maternal Instinct on Stage -- 5. Edwardians and Eugenicists -- 6. Reproductive Issues -- 7. Midcentury American Engagements with Evolution -- 8. Beckett's \"Old Muckball\" -- Epilogue: Staging the Anthropocene -- Notes -- Index"]
[null,null,null,"Sommario/riassunto","Evolutionary theory made its stage debut as early as the 1840's, reflecting a scientific advancement that was fast changing the world. Tracing this development in dozens of mainstream European and American plays, as well as in circus, vaudeville, pantomime, and \"missing link\" performances, Theatre and Evolution from Ibsen to Beckett reveals the deep, transformative entanglement among science, art, and culture in modern times. The stage proved to be no mere handmaiden to evolutionary science, though, often resisting and altering the ideas at its core. Many dramatists cast suspicion on the arguments of evolutionary theory and rejected its claims, even as they entertained its thrilling possibilities. Engaging directly with the relation of science and culture, this book considers the influence of not only Darwin but also Lamarck, Chambers, Spencer, Wallace, Haeckel, de Vries, and other evolutionists on 150 years of theater. It shares "]
[{"$nulls":4},"significant new insights into the work of Ibsen, Shaw, Wilder, and Beckett, and writes female playwrights, such as Susan Glaspell and Elizabeth Baker, into the theatrical record, unpacking their dramatic explorations of biological determinism, gender essentialism, the maternal instinct, and the \"cult of motherhood. \"It is likely that more people encountered evolution at the theater than through any other art form in the late nineteenth and early twentieth centuries. Considering the liveliness and immediacy of the theater and its reliance on a diverse community of spectators and the power that entails, this book is a key text for grasping the extent of the public's adaptation to the new theory and the legacy of its representation on the perceived legitimacy (or illegitimacy) of scientific work."]