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[null,"1.","Record Nr.",null,"UNINA9910457514803321"]
[null,null,"Autore",null,"Proferes Nicholas T."]
[null,null,"Titolo",null,"Film directing fundamentals : see your film before shooting / / Nicholas T. Proferes"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam ; ; Boston : , : Focal Press, , 2005"]
[null,null,"ISBN",null,"1-136-06950-X"]
[{"$nulls":4},"1-281-00866-4"]
[{"$nulls":4},"9786611008666"]
[{"$nulls":4},"1-4237-0824-5"]
[{"$nulls":4},"0-08-047772-0"]
[null,null,"Edizione",null,"[2nd ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (286 p.)"]
[null,null,"Disciplina",null,"791.4302/33"]
[null,null,"Soggetti",null,"Motion pictures - Production and direction"]
[{"$nulls":4},"Motion picture industry"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [271]) and index."]
[null,null,"Nota di contenuto",null,"Front Cover; Film Directing Fundamentals; Copyright Page; Contents; Foreword; Acknowledgments; Part One: Learning How to Draw; Chapter 1.Introduction to Film Language and Grammar; The Film World; Film Language; Shots; Film Grammar; The 180-Degree Rule; The 30-Degree Rule; Screen Direction; Film Time; Compression; Elaboration; Familiar Images; Chapter 2.Introduction to the Dramatic Elements Embedded in the Screenplay; Spines; Whose Film Is It?; Character; Circumstance; Dynamic Relationships; Wants; Expectations; Actions; Activity; Acting Beats; Chapter 3.Organizing Action in a Dramatic Scene"]
[{"$nulls":4},"Dramatic BlocksNarrative Beats; The Fulcrum; Dramatic Elements in Notorious Patio Scene; Notorious Patio Scene Annotated; Chapter 4.Staging; Main Functions; Patterns of Dramatic Movement; Changing the Stage Within a Scene; Staging as Part of a Film's Design; Working with a Location Floor Plan; Floor Plan and Staging for Notorious Patio Scene; Chapter 5.The Camera; The Camera as Narrator; The Reveal; Entrances; The Objective Camera; The Subjective Camera; Where Do I Put It?; Visual Design; Style; Coverage; Camera Height; Lenses; Composition; Where to Begin?"]
[{"$nulls":4},"Working Toward Specificity in VisualizationLooking for Order; Dramatic Blocks and the Camera; Shot Lists and Storyboards; The Prose "]
[{"$nulls":4},"Storyboard; Chapter 6.Camera in Notorious Patio Scene; First Dramatic Block; Second Dramatic Block; Third Dramatic Block; Fourth Dramatic Block and Fulcrum; Fifth Dramatic Block; Part Two: Making Your Film; Chapter 7. Detective Work on Scripts; Reading Your Screenplay; A Piece of Apple Pie Screenplay; Whose Film Is It?; Character; Circumstance; Spines for a Piece of Apple Pie; Dynamic Relationships; Wants; Actions; Acting Beats; Activity"]
[{"$nulls":4},"Tone for a Piece of Apple PieBreaking a Piece of Apple Pie into Actions; Designing a Scene; Visualization; Identifying the Fulcrum and Dramatic Blocks; Supplying Narrative Beats to a Piece of Apple Pie; Director's Notebook; Chapter 8. Staging and Camera for a Piece of Apple Pie; Staging; Camera; Conclusions; Chapter 9. Marking Shooting Scripts with Camera Setups; Chapter 10. Working with Actors; Casting; First Read-through; Directing During Rehearsals; Directing Actors on the Set; Chapter 11. Managerial Responsibilities of the Director; Delegating Authority While Accepting Responsibility"]
[{"$nulls":4},"The ProducerThe Assistant Director; A Realistic Shooting Schedule; Working with the Crew; Working with the Director of Photography; Chapter 12. Postproduction; Editing; Music and Sound; Locking Picture, or How Do You Know When It's Over?; An Audience and a Big Screen; Part Three: Learning the Craft Through Film Analysis; Chapter 13. Alfred Hitchcock's; Overview of Style and Design; First Act; Second Act; Third Act; Summary; Chapter 14. Peter Weir's the Truman Show; Overview of Style and Design; First Act; Second Act; Third Act; Summary; Chapter 15. Federico Fellini's 8-1/2; A Masterpiece?"]
[{"$nulls":4},"The Director as Auteur"]
[null,null,null,"Sommario/riassunto","Unique among directing books, Film Directing Fundamentals provides a clear-cut methodology for translating a script to the screen. Using the script as a blueprint, Proferes leads the reader through specific techniques to analyze and translate its components into a visual story. A sample screenplay is included that explicates the techniques. The book assumes no knowledge and thus introduces basic concepts and terminology."]