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[null,"1.","Record Nr.",null,"UNINA9910467598303321"]
[null,null,"Titolo",null,"Imagining early modern histories / / edited by Allison Kavey and Elizabeth Ketner"]
[null,null,"Pubbl/distr/stampa",null,"London : , : Routledge, , 2016"]
[null,null,"ISBN",null,"1-315-56272-3"]
[{"$nulls":4},"1-134-80390-7"]
[{"$nulls":4},"1-4724-6518-0"]
[{"$nulls":4},"1-4724-6519-9"]
[null,null,"Descrizione fisica",null,"1 online resource (288 pages) : illustrations"]
[null,null,"Disciplina",null,"809/.933582"]
[null,null,"Soggetti",null,"Prose literature - Early modern, 1500-1700 - History and criticism"]
[{"$nulls":4},"Literature and society - History - 16th century"]
[{"$nulls":4},"Literature and history - History - 17th century"]
[{"$nulls":4},"Literature and history - History - 16th century"]
[{"$nulls":4},"Literature and society - History - 17th century"]
[{"$nulls":4},"Imagination - History - 16th century"]
[{"$nulls":4},"Imagination - History - 17th century"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","First published 2016 by Ashgate Publishing."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references at the end of each chapters and index."]
[null,null,"Nota di contenuto",null,"pt. I. Histories written and enacted -- pt. II. Histories created and assigned -- pt. III. Fictions histories -- pt. IV. Fictions of the self and the state : gender and innocence."]
[null,null,null,"Sommario/riassunto","Interpreting textual mediations of history in early modernity, this volume adds nuance to our understanding of the contributions fiction and fictionalizing make to the shape and texture of versions of and debates about history during that period. Geographically, the scope of the essays extends beyond Europe and England to include Asia and Africa. Contributors take a number of different approaches to understand the relationship between history, fiction, and broader themes in early modern culture. They analyze the ways fiction writers use historical sources, fictional texts translate ideas about the past into a vernacular accessible to broad audiences, fictional depictions and interpretations shape historical action, and the ways in which "]
[{"$nulls":4},"nonfictional texts and accounts were given fictional histories of their own, intentionally or not, through transmission and interpretation.  By combining the already contested idea of fiction with performance, action, and ideas/ideology, this collection provides a more thorough consideration of fictional histories in the early modern period. It also covers more than two centuries of primary material, providing a longer perspective on the changing and complex role of history in forming early modern national, gendered, and cultural identities."]
[null,"2.","Record Nr.",null,"UNINA9910457403203321"]
[null,null,"Autore",null,"Thompson Helen <1967->"]
[null,null,"Titolo",null,"Ingenuous subjection [[electronic resource] ] : compliance and power in the eighteenth-century domestic novel / / Helen Thompson"]
[null,null,"Pubbl/distr/stampa",null,"Philadelphia, : University of Pennsylvania Press, c2005"]
[null,null,"ISBN",null,"1-283-21209-9"]
[{"$nulls":4},"9786613212092"]
[{"$nulls":4},"0-8122-0377-1"]
[null,null,"Descrizione fisica",null,"1 online resource (285 p.)"]
[null,null,"Disciplina",null,"823/.5093552"]
[null,null,"Soggetti",null,"English fiction - 18th century - History and criticism"]
[{"$nulls":4},"Feminism and literature - Great Britain - History - 18th century"]
[{"$nulls":4},"Women and literature - Great Britain - History - 18th century"]
[{"$nulls":4},"Domestic fiction, English - History and criticism"]
[{"$nulls":4},"Power (Social sciences) in literature"]
[{"$nulls":4},"Families in literature"]
[{"$nulls":4},"Women in literature"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [255]-268) and index."]
[null,null,"Nota di contenuto",null,"pt. 1. Ingenuous subjection and feminine political difference -- pt. 2. Ingenuous subjection and the novel."]
[null,null,null,"Sommario/riassunto","Helen Thompson's Ingenuous Subjection offers a new feminist history of the eighteenth-century domestic novel. By reading social contract theory alongside representations of the domestic sphere by authors such as Mary Astell, Mary Davys, Samuel Richardson, Eliza Haywood, and Frances Sheridan, Thompson shows how these writers confront women's paradoxical status as both contractual agents and naturally subject wives. Over the long eighteenth century, Thompson argues, domestic novelists appropriated the standard of political modernity advanced by John Locke and others as a citizen's free or \"ingenuous\" assent to the law. The domestic novel figures feminine political difference not as women's deviation from an abstract universal but rather as their failure freely or ingenuously to submit to the power retained by Enlightenment husbands.Ingenuous Subjection claims domestic novelists as vital participants in Enlightenment political "]
[{"$nulls":4},"discourse. By tracing the political, philosophical, and generic significance of feminine compliance, this book revises our literary historical account of the rise of the novel. Rather than imagining a realm of harmonious sentiment, domestic fiction represents the persistent arbitrariness of eighteenth-century men's conjugal power. Ingenuous Subjection revises feminist theory and historiography, locating the genealogy of feminism in a contractual model of ingenuous assent which challenges the legitimacy of masculine conjugal government. The first study to treat feminine compliance as something other than a passive, politically neutral exercise, Ingenuous Subjection recovers in this practice the domestic novel's critical engagement with the limits of Enlightenment modernity."]