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[null,"1.","Record Nr.",null,"UNINA9910457385203321"]
[null,null,"Autore",null,"Perkins Margo V"]
[null,null,"Titolo",null,"Autobiography as activism [[electronic resource] ] : three Black women of the Sixties / / Margo V. Perkins"]
[null,null,"Pubbl/distr/stampa",null,"Jackson, : University Press of Mississippi, c2000"]
[null,null,"ISBN",null,"1-283-45519-6"]
[{"$nulls":4},"9786613455192"]
[{"$nulls":4},"1-60473-735-2"]
[null,null,"Descrizione fisica",null,"1 online resource (182 p.)"]
[null,null,"Collana",null,"Margaret Walker Alexander series in African American studies Visionary women writers of Chicago's Black Arts Movement"]
[null,null,"Disciplina",null,"305.48/896073/00922"]
[null,null,"Soggetti",null,"American prose literature - African American authors - History and criticism"]
[{"$nulls":4},"African American women political activists - Biography - History and criticism"]
[{"$nulls":4},"American prose literature - Women authors - History and criticism"]
[{"$nulls":4},"Women and literature - United States - History - 20th century"]
[{"$nulls":4},"African American women - Intellectual life - 20th century"]
[{"$nulls":4},"African Americans - Biography - History and criticism"]
[{"$nulls":4},"Autobiography - African American authors"]
[{"$nulls":4},"African American women in literature"]
[{"$nulls":4},"Autobiography - Women authors"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Based on the author's thesis (Cornell University)."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover; Contents; Acknowledgments; Introduction; Chapter 1 \"\"I am We\"\": Black Women Activists Writing Autobiography; Chapter 2 Literary Antecedents in the Struggle for Freedom; Chapter 3 On Becoming: Activists' Reflections on Their Formative Experiences; Chapter 4 Autobiography as Political/Personal Intervention; Chapter 5 Gender and Power Dynamics in 1960's Black Nationalist Struggle; Chapter 6 Reading Intertextually: Black Power Narratives Then and Now; Epilogue; Bibliography; Index;"]
[null,null,null,"Sommario/riassunto","A study of three Black Power narratives as instruments for radical social change Angela Davis, Assata Shakur (a.k.a. JoAnne Chesimard), and Elaine Brown are the only women activists of the Black Power movement "]
[{"$nulls":4},"who have published book-length autobiographies. In bearing witness to that era, these militant newsmakers wrote in part to educate and to mobilize their anticipated readers. In this way, Davis's Angela Davis: An Autobiography (1974), Shakur's Assata (1987), and Brown's A Taste of Power: A Black Woman's Story (1992) can all be read as extensions of the writers' political activism during..."]
[null,"2.","Record Nr.",null,"UNISA996500659603316"]
[null,null,"Autore",null,"Kerman Joseph"]
[null,null,"Titolo",null,"The Art of Fugue : Bach Fugues for Keyboard, 1715-1750 / / Joseph Kerman"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley, CA : , : University of California Press, , [2005]"]
[{"$nulls":4},"©2005"]
[null,null,"ISBN",null,"9780520962590"]
[null,null,"Descrizione fisica",null,"1 online resource (192 p.)"]
[null,null,"Disciplina",null,"786/.1872/092"]
[null,null,"Soggetti",null,"Music"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- List of Recordings and Scores -- Preface -- Acknowledgments -- 1. Fugue in C Major: The Well-Tempered Clavier, book 1 -- 2. Fugue in C Minor: The Well-Tempered Clavier, book 1 -- 3. Fughetta in C Major, BWV 952 -- 4. Fugue in C-sharp Minor: The Well-Tempered Clavier, book 1 -- 5. Contrapunctus 1: The Art of Fugue -- 6. Contrapunctus 10: The Art of Fugue -- 7. Chromatic Fantasy and Fugue, BWV 903 -- 8. Prelude and Fugue in E-flat Major: The Well-Tempered Clavier, book 1 -- 9. Fugue in E Major: The Well-Tempered Clavier, book 2 -- 10. Fugue on \"Jesus Christus unser Heiland\": Clavierübung, book 3 -- 11. Fugue in F-sharp Minor: The Well-Tempered Clavier, book 1 -- 12. Gigue: English Suite no. 3 in G Minor -- 13. Fugue in A-flat Major: The Well-Tempered Clavier, book 1 -- 14. Fugue in A Minor: Fantasy and Fugue in A Minor, BWV 904 -- 15. Fugue in B-flat Major: The Well-Tempered Clavier, book 2 -- 16. Fugue in B Major: The Well-Tempered Clavier, book 2 -- Afterword -- Notes -- Notes to the Recordings -- Glossary -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","A free ebook version of this title is available through Luminos, University of California Press's new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, "]
[{"$nulls":4},"eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues-some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving. These witty, insightful pieces, addressed to musical amateurs as well as to specialists and students, are beautifully augmented by performances made specially for this volume: Karen Rosenak, piano, playing two preludes and fugues fromTheWell-Tempered Clavier-C Major, book 1; and B Major, book 2--and Davitt Moroney playing the Fughetta in C Major, BWV 952, on clavichord; the Fugue on \";Jesus Christus unser Heiland,\"; BWV 689, on organ; and the Fantasy and Fugue in A Minor, BWV 904, on harpsichord."]
[null,"3.","Record Nr.",null,"UNISALENTO991001948769707536"]
[null,null,"Autore",null,"Waismann, Friedrich"]
[null,null,"Titolo",null,"Analisi linguistica e filosofia : una nuova prospettiva / Friedrich Waismann"]
[null,null,"Pubbl/distr/stampa",null,"Roma : Ubaldini, 1970"]
[null,null,"Titolo uniforme",null,"How I see philosophy 46278"]
[null,null,"Descrizione fisica",null,"270 p. : ill. ; 21 cm."]
[null,null,"Collana",null,"Collana di filosofia e epistemologia"]
[null,null,"Disciplina",null,"146.4"]
[null,null,"Soggetti",null,"Filosofia analitica"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Traduzione di Antonio Verdino"]
[{"$nulls":4},"Testo inglese a cura di R. Harré"]