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[null,"1.","Record Nr.",null,"UNINA9910457269503321"]
[null,null,"Autore",null,"Naremore James"]
[null,null,"Titolo",null,"Acting in the cinema [[electronic resource] /] / James Naremore"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley, : University of California Press, c1988"]
[null,null,"ISBN",null,"0-520-91066-4"]
[{"$nulls":4},"1-282-75863-2"]
[{"$nulls":4},"9786612758638"]
[null,null,"Descrizione fisica",null,"1 online resource (318 p.)"]
[null,null,"Disciplina",null,"791.43/028"]
[null,null,"Soggetti",null,"Motion picture acting"]
[{"$nulls":4},"Motion pictures - United States"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","First paperback printing 1990."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 287-293) and index."]
[null,null,"Nota di contenuto",null,"pt. 1. Performance in the age of mechanical reproduction -- pt. 2. Star performances -- pt. 3. Film as a performance text."]
[null,null,null,"Sommario/riassunto","In this richly detailed study, James Naremore focuses on the work of film acting, showing what players contribute to movies. Ranging from the earliest short subjects of Charles Chaplin to the contemporary features of Robert DeNiro, he develops a useful means of analyzing performance in the age of mechanical reproduction; at the same time, he reveals the ideological implications behind various approaches to acting, and suggests ways that behavior on the screen can be linked to the presentation of self in society.Naremore's discussion of such figures as Lillian Gish, Marlene Dietrich, James Cagney, and Cary Grant will interest the specialist and the general reader alike, helping to establish standards and methods for future writing about performers and their craft."]