{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":34,"n_cols":5,"rows_kept":34,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[12,2,12,3],[13,2,13,3],[17,2,17,3],[20,2,20,3],[20,4,20,5],[21,2,21,3],[21,4,21,5],[22,2,22,3],[22,4,22,5],[23,2,23,3],[25,2,25,3],[27,2,27,3],[28,2,28,3],[29,2,29,3],[30,2,30,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910456977003321"]
[null,null,"Autore",null,"Epstein Robert"]
[null,null,"Titolo",null,"Sacred and profane in Chaucer and late medieval literature : essays in honour of John V. Fleming / / edited by Robert Epstein and William Robins"]
[null,null,"Pubbl/distr/stampa",null,"Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2010"]
[{"$nulls":4},"©2010"]
[null,null,"ISBN",null,"1-4426-8610-3"]
[null,null,"Descrizione fisica",null,"1 online resource (247 p.)"]
[null,null,"Disciplina",null,"821/.1"]
[null,null,"Soggetti",null,"English literature - Middle English, 1100-1500 - History and criticism"]
[{"$nulls":4},"Holy, The, in literature"]
[{"$nulls":4},"Secularism in literature"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgments -- 1. Introduction: The Sacred, the Profane, and Late Medieval Literature / Robins, William / Epstein, Robert -- 2. Bathsheba in the Eye of the Beholder: Artistic Depiction from the Late Middle Ages to Rembrandt / Jeffrey, David Lyle -- 3. Susanna's Voice / Staley, Lynn -- 4. The Ends of Love: (Meta)physical Desire in Chaucer's Troilus and Criseyde / Fumo, Jamie C. -- 5. Troilus in the Gutter / Robins, William -- 6. The Suicide of the Legend of Good Women / Marvin, Julia -- 7. Sacred Commerce: Chaucer, Friars, and the Spirit of Money / Epstein, Robert -- 8. How (Not) to Preach: Thomas Waleys and Chaucer's Pardoner / Camargo, Martin -- 9. The Radical, Yet Orthodox, Margery Kempe / Tolhurst, Fiona -- 10. Preface to Fleming / Justice, Steven -- Bibliography of the Scholarship of John V. Fleming -- Contributors -- Index"]
[null,null,null,"Sommario/riassunto","Literary depictions of the sacred and the secular from the Middle Ages are representative of the era's widely held cultural understandings related to religion and the nature of lived experience. Using late Medieval English literature, including some of Chaucer's writings, these essays do not try to define a secular realm distinct and separate from the divine or religious, but instead analyze intersections of the sacred and the profane, suggesting that these two categories are mutually "]
[{"$nulls":4},"constitutive rather than antithetical.With essays by former students of John V. Fleming, the collection pays tribute to the Princeton University professor emeritus through wide-ranging scholarship and literary criticism. Including reflections on depictions of Bathsheba, Troilus and Criseyde, the Legend of Good Women, Chaucer's Pardoner, and Margery Kempe, these essays focus on literature while ranging into history, philosophy, and the visual arts. Taken together, the work suggests that the domain of the sacred, as perceived in the Middle Ages, can variously be seen as having a hierarchical or a complementary relationship to the things of this world."]
[null,"2.","Record Nr.",null,"UNINA9910140130903321"]
[null,null,"Autore",null,"Perron Régine"]
[null,null,"Titolo",null,"Le Marché du Charbon, un Enjeu Entre L'Europe et les Etats-Unis de 1945 à 1958"]
[null,null,"Pubbl/distr/stampa",null,"Éditions de la Sorbonne, 1996"]
[{"$nulls":4},"[Place of publication not identified], : Publications de la Sorbonne, 1996"]
[null,null,"ISBN",null,"9782859448660"]
[{"$nulls":4},"2859448667"]
[null,null,"Descrizione fisica",null,"1 online resource (334 p.)"]
[null,null,"Soggetti",null,"BUSINESS & ECONOMICS / Economic History"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Sommario/riassunto","Première source d'énergie après la Seconde Guerre mondiale jusqu'à la fin des années 50, le charbon est la clé de voûte des relations économiques et diplomatiques entre les États-Unis et l'Europe de l'Ouest. Indispensable à la reconstruction, nécessaire à la stabilisation en Europe, il offre la possibilité aux États-Unis, de par leur influence politique et économique, de structurer un marché. Après 1945, ce marché charbonnier fut tout à la fois à l'image du « monde libre », l'expression du nouvel ordre économique international et de l'intégration européenne.  À l'European Coal Organisation (ECO), créée par les Anglais et les Américains en 1945, succéda la Communauté Européenne du Charbon et de l'Acier (CECA) en 1952, alors presque copie conforme. L'Europe si diverse dans ses politiques économiques oscilla face à cette puissance selon les circonstances. En 1958, la grave crise charbonnière met en valeur une mutation de source d'énergie retardée depuis la Libération, et actualise une autre Communauté Européenne."]