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[null,"1.","Record Nr.",null,"UNINA9910456970703321"]
[null,null,"Autore",null,"Jones Graham"]
[null,null,"Titolo",null,"Trade of the Tricks : Inside the Magician's Craft / / Graham Jones"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley, CA : , : University of California Press, , [2011]"]
[{"$nulls":4},"©2011"]
[null,null,"ISBN",null,"1-283-27858-8"]
[{"$nulls":4},"9786613278586"]
[{"$nulls":4},"0-520-95052-6"]
[null,null,"Descrizione fisica",null,"1 online resource (308 p.)"]
[null,null,"Disciplina",null,"793.8"]
[null,null,"Soggetti",null,"Magic tricks"]
[{"$nulls":4},"Magic"]
[{"$nulls":4},"Magician"]
[{"$nulls":4},"Social Sciences"]
[{"$nulls":4},"Recreation & Sports"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Illustrations -- Preface and Acknowledgments -- INTRODUCTION. Men of a Thousand Hands -- ONE. An Apprenticeship in Cunning -- TWO. The Social Life of Secret Knowledge -- THREE. Potency and Performance -- FOUR. Business as Un-Usual -- FIVE. Conjuring Culture -- Notes -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","From risqué cabaret performances to engrossing after-hours shop talk, Trade of the Tricks offers an unprecedented look inside the secretive subculture of modern magicians. Entering the flourishing Paris magic scene as an apprentice, Graham M. Jones gives a firsthand account of how magicians learn to perform their astonishing deceptions. He follows the day-to-day lives of some of France's most renowned performers, revealing not only how secrets are created and shared, but also how they are stolen and destroyed. In a book brimming with humor and surprise, Jones shows how today's magicians marshal creativity and passion in striving to elevate their amazing skill into high art. The book's lively cast of characters includes female and queer performers whose work is changing the face of a historically masculine genre."]
[null,"2.","Record Nr.",null,"UNINA9910404125203321"]
[null,null,"Autore",null,"Schürmer Anna <p>Anna Schürmer, Heinrich-Heine-Universität Düsseldorf, Deutschland </p>"]
[null,null,"Titolo"]
[{"$nulls":4},"Klingende Eklats : Skandal und Neue Musik / Anna Schürmer"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, 2017"]
[null,null,"ISBN",null,"9783839439838"]
[{"$nulls":4},"3839439833"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (357 pages)"]
[null,null,"Collana",null,"Histoire"]
[null,null,"Classificazione",null,"LR 56707"]
[null,null,"Disciplina",null,"306"]
[null,null,"Soggetti",null,"Scandal"]
[{"$nulls":4},"Skandal"]
[{"$nulls":4},"Occurrence"]
[{"$nulls":4},"Ereignis"]
[{"$nulls":4},"New Music"]
[{"$nulls":4},"Neue Musik"]
[{"$nulls":4},"Avant-garde"]
[{"$nulls":4},"Avantgarde"]
[{"$nulls":4},"Postmodernism"]
[{"$nulls":4},"Postmoderne"]
[{"$nulls":4},"Media"]
[{"$nulls":4},"Medien"]
[{"$nulls":4},"Klang"]
[{"$nulls":4},"Sound"]
[{"$nulls":4},"Culture"]
[{"$nulls":4},"Kultur"]
[{"$nulls":4},"History"]
[{"$nulls":4},"Eklat"]
[{"$nulls":4},"Cultural History"]
[{"$nulls":4},"Geschichte"]
[{"$nulls":4},"Music"]
[{"$nulls":4},"Kulturgeschichte"]
[{"$nulls":4},"Musicology"]
[{"$nulls":4},"Musik"]
[{"$nulls":4},"Media History"]
[{"$nulls":4},"Musikwissenschaft"]
[{"$nulls":4},"Music History"]
[{"$nulls":4},"Mediengeschichte"]
[{"$nulls":4},"Musikgeschichte"]
[{"$nulls":4},"Geschichtswissenschaft"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Sound éclats push good sound (and good manners) to the limit; they serve as seismographs of social problems as well as aesthetic experiments, sounding out the acoustic dimensions of modern day."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Frontmatter    1 Inhalt    5 KLINGENDE HISTORIOGRAPHIE (Einleitung)    7 REFERENZEN und CHIFFREN (Exposition)    31 AGON und SKANDAL (Durchführung 2)    135 TRANSKULTURELLE TRANSFERS (Durchführung 4)    239 ANALYTISCHE KONTRAPUNKTE (Reprise)    297 BIBLIOGRAPHIE    313"]
[null,null,null,"Sommario/riassunto","Der klingende Eklat ist mehr als der Pfeffer musikhistorischer Narrationen. Vielmehr ist der Musikskandal ein kultureller Störfall und ein ästhetisches Ereignis. Er überschreitet nicht nur die künstlerischen und moralischen Grenzen des guten Tons, sondern greift zudem gesellschaftliche Normen auf und an.Anna Schürmer analysiert diese Verschränkung und nutzt das interdisziplinäre Potential, das der klingende Eklat als konfliktiver Seismograf sozialer Problem- wie ästhetischer Experimentierfelder bereithält. An der Schnittstelle von Geschichts- und Musikwissenschaften fokussiert die medienkulturwissenschaftlich inspirierte Studie den prismatischen Gegenstand des klingenden Eklats vor dem akustischen Hintergrund nicht nur der musikalischen Moderne."]
[{"$nulls":4},"Besprochen in:Deutschlandfunk – Musikjournal, 13.02.2018WDR 5 – Scala, 13.02.2018das Orchester, 6 (2018), Roland H. Dippeldissonance, 144/12 (2018), Tobias GerberDeutschlandfunk Kultur, 20.11.2021, Olaf Karnik/ Volker Zander"]
[{"$nulls":4},"»Anna Schürmer sößt mit ihrer großen Studie in eineechte Forschungslücke.«"]
[{"$nulls":4},"»Voller wertvoller Erkenntnisse.«"]
[{"$nulls":4},"»Reichhaltige Funde, originelle Ideen und neue Perspektiven.«"]
[{"$nulls":4},"»Der Autorin gelingt insgesamt eine sehr konzise Darstellung des Themas Musikskandale und Neue Musik in der deutschen Nachkriegszeit. Die Fallbeispiele in ihrer Untersuchung sind klug gewählt, um einen differenzierten Blick auf die vielfältigen diskursiven Implikationen der Skandale zu bekommen, welche die Musikavantgarden nach 1945 provozierten.«"]