{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":42,"n_cols":5,"rows_kept":42,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[9,2,9,3],[10,2,10,3],[11,2,11,3],[12,2,12,3],[16,2,16,3],[17,2,17,3],[21,2,21,3],[23,2,23,3],[23,4,23,5],[24,2,24,3],[24,4,24,5],[25,2,25,3],[25,4,25,5],[26,2,26,3],[28,2,28,3],[29,2,29,3],[30,2,30,3],[31,2,31,3],[32,2,32,3],[35,2,35,3],[36,2,36,3],[39,2,39,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910456887203321"]
[null,null,"Autore",null,"Antonova Clemena <1970-, >"]
[null,null,"Titolo",null,"Space, time, and presence in the icon : seeing the world with the eyes of God / / Clemena Antonova ; with a preface by Martin Kemp"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York : , : Routledge, , 2016"]
[null,null,"ISBN",null,"1-315-61017-5"]
[{"$nulls":4},"1-317-05181-5"]
[{"$nulls":4},"1-282-38530-5"]
[{"$nulls":4},"9786612385308"]
[{"$nulls":4},"0-7546-9738-X"]
[null,null,"Descrizione fisica",null,"1 online resource (206 p.)"]
[null,null,"Collana",null,"Ashgate studies in theology, imagination, and the arts"]
[null,null,"Disciplina",null,"701.8"]
[null,null,"Soggetti",null,"Space and time in art"]
[{"$nulls":4},"Perspective"]
[{"$nulls":4},"Icons"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"First published 2010 by Ashgate Publishing\"--t.p. verso."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover; Contents; List of Illustrations; Acknowledgements; Preface; Introduction; 1 The Role of Time in the Pictorial Art; 2 On Reverse Perspective - a Critical Reading; 3 Registering Presence in the Icon; 4 \"Seeing the World with the Eyes of God\": An Alternative Explanation of \"Reverse Perspective\"; Conclusion; Sample Analysis An Analysis of Rublev's Trinity Icon in the Terms, Proposed in this Book; Glossary of Terms; Bibliography; Index"]
[null,null,null,"Sommario/riassunto","This book contributes to the re-emerging field of \"\"theology through the arts\"\" by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of \"\"reverse perspective\"\", which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky's concept of 's"]
[null,"2.","Record Nr.",null,"UNINA9910821618303321"]
[null,null,"Autore",null,"Spink Walter"]
[null,null,"Titolo",null,"Ajanta : history and development : defining features / / Walter Spink"]
[null,null,"Pubbl/distr/stampa",null,"Leiden, The Netherlands ; ; Boston, [Massachusetts] : , : Koninklijke Brill, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"90-474-4465-5"]
[null,null,"Descrizione fisica",null,"1 online resource (482 p.)"]
[null,null,"Collana",null,"Handbook of Oriental Studies. Section two, South Asia ; ; Volume 18/6"]
[null,null,"Disciplina",null,"349.51"]
[null,null,"Soggetti",null,"Law - China - History"]
[{"$nulls":4},"Justice, Administration of - China - History"]
[{"$nulls":4},"Practice of law - China - History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Preliminary Material / Walter M. Spink and Naomichi Yaguchi -- Chapter 1: The Usages of War / Walter M. Spink and Naomichi Yaguchi -- Chapter 2: Regarding Important Time Chart Changes / Walter M. Spink and Naomichi Yaguchi -- Chapter 3: Defining Features / Walter M. Spink and Naomichi Yaguchi -- Chapter 4: Illustrations and Labels / Walter M. Spink and Naomichi Yaguchi -- Summary of Evidence Bearing upon the Disputed Dating of Harisena’s Reign / Walter M. Spink and Naomichi Yaguchi."]
[null,null,null,"Sommario/riassunto","Volume 6, in Walter Spink's detailed analysis of the creation and development of the Ajanta caves, during the reign of the emperor Harisena (c.460-c.477) has had a profound and often upsetting impact on the understanding of Indian history in the so-called Golden Age. The author contends that through the discipline of Art History one can in fact change the established view of cultural developments in the crucial \\'Classic Age\\' (5th Century CE). One of his major aims is to prove that it was the Vakatakas, under the emperor Harisena, and not the Guptas, that brought Indian culture to its apogee in the late 470s and to show that by analyzing and organizing Ajanta's \\'defining feature\\' in revealing developmental sequences, one can support, with specifics, the revolutionary (but now increasingly accepted) \\'short chronology\\' for which the author is well known. These \\'defining features\\' range from the changing types of Buddha images and living arrangements for the monks, to the precise analysis of the evolution of "]
[{"$nulls":4},"pillars, doorways, and excavation techniques. The volume also includes, at the start, a discussion of the transforming effect of competition, and finally war, as a key to Ajanta's highly driven development, its florescence, and finally its sad demise."]