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[null,"1.","Record Nr.",null,"UNINA9910456857803321"]
[null,null,"Titolo",null,"Afterimages of Gilles Deleuze's film philosophy [[electronic resource] /] / D. N. Rodowick, editor"]
[null,null,"Pubbl/distr/stampa",null,"Minneapolis, Minnesota : , : University of Minnesota Press, , 2010"]
[null,null,"ISBN",null,"0-8166-7072-2"]
[null,null,"Descrizione fisica",null,"1 online resource (xxiv, 396 pages); : illustrations"]
[null,null,"Disciplina",null,"791.4301"]
[null,null,"Soggetti",null,"Motion pictures - Philosophy"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Contents --Acknowledgments --Introduction: What Does Time Express? --part I. Doublings --part II. Ethics --part III. Becomings --part IV. Experiments --part V. Futures --Publication History --Contributors --Index."]
[null,null,null,"Sommario/riassunto","The French philosopher Gilles Deleuze was one of the most innovative and revolutionary thinkers of the twentieth century. Author of more than twenty books on literature, music, and the visual arts, Deleuze published the first volume of his two-volume study of film, Cinema 1: The Movement-Image, in 1983 and the second volume, Cinema 2: The Time-Image, in 1985. Since their publication, these books have had a profound impact on the study of film and philosophy. Film, media, and cultural studies scholars still grapple today with how they can most productively incorporate Deleuze's thought.The firs"]