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[null,"1.","Record Nr.",null,"UNINA9910456806203321"]
[null,null,"Titolo",null,"German essays on film / / edited by Richard W. McCormick and Alison Guenther-Pal"]
[null,null,"Pubbl/distr/stampa",null,"New York : , : Continum, , 2004"]
[null,null,"ISBN",null,"1-62892-875-1"]
[{"$nulls":4},"1-283-27207-5"]
[{"$nulls":4},"9786613272072"]
[{"$nulls":4},"1-4411-5963-0"]
[null,null,"Descrizione fisica",null,"1 online resource (336 p.)"]
[null,null,"Collana",null,"German Library"]
[null,null,"Disciplina",null,"791.43/0943"]
[null,null,"Soggetti",null,"Motion pictures - Germany"]
[{"$nulls":4},"Motion pictures"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages [315]-318)."]
[null,null,"Nota di contenuto",null,"Introduction: Richard W. McCormick and Alison Guenther-Pal --   -- 1. LATE WILHELMINE GERMANY --   -- Artists, Critics, and Scholars -- ALFRED DOBLIN -- The Theater of the Little People --   -- HERBERT TANNENBAUM -- Art at the Cinema --   -- MALWINE RENNERT -- An Abyss Not to Be Bridged --   -- GEORG LUKACS -- Thoughts on an Aesthetics of Cinema --   -- WALTER SERNER -- Cinema and the Desire to Watch --   -- HANNS HEINZ EWERS -- Film and I --   -- MALWINE RENNERT -- War Films --   -- EMILIE ALTENLOH -- From On the Sociology of the Cinema --   -- All translated by Lance W. Garmer --   -- 2. WEIMAR REPUBLIC, 1918-33 --   -- Writers, Critics, and Artists --   -- HERBERT IHERING -- An Expressionist Film -- Translated by Lance W. Garmer --   -- CLAIRE GOLL -- American Cinema -- Translated by Lance W. Garmer --   -- HUGO VON HOFMANNSTHAL -- The Substitute for Dreams -- Translated by Lance W. Garmer --   -- CARL EINSTEIN -- The Bankruptcy of German Films -- Translated by Lance W. Garmer --   -- FRITZ LANG -- The Artistic Composition of the Film Drama -- Translated by Lance W. Garmer --   -- F.W. MURNAU -- The Ideal Picture Needs No Titles: By Its Very Nature the Art of the Screen Should Tell a Complete Story Pictorially -- Translated by Theatre magazine --   -- Theorists --   -- BELA BALAZS -- From The Visible Human -- Translated by Lance W. Garmer --   -- SIEGFRIED KRACAUER -- The Little Shopgirls Go to the Movies -- Translated by Thomas Y. "]
[{"$nulls":4},"Levin --   -- BERTOLT BRECHT -- From The Three Penny Trial: A Sociological Experiment -- Translated by Lance W. Garmer --   -- RUDOLF ARNHEIM -- From Film -- Translated by L.M. Sieveking and Ian F.D. Morrow --   -- 3. NAZI GERMANY 1933-45--AND THOSE WHO FLED.... --   -- Artists and Bureaucrats in the \"Third Reich\" --   -- JOSEPH GOEBBELS -- Dr. Goebbels's Speech at teh Kaiserhof on March 28, 1933 --   -- LENI RIEFENSTAHL -- May the Strength and Beauty of Youth Have Found Cinematic Form --   -- VEIT HARLAN -- History and Film --   -- FRITZ HIPPLER -- The Formative Power of Film --   -- HELMUT KAUTNER -- Gratitude toward the Theater --   -- All translated by Lance W. Garmer --   -- Intellectuals in Exile --   -- MAX HORKHEIMER AND THEODOR W. ADORNO -- The Culture Industry: Enlightenment as Mass Deception -- Translated by John Cumming --   -- SIEGFRIED KRACAUER -- Introduction to From Caligari to Hitler: A Psychological History of German Film --   -- LOTTE H. EISNER -- Introduction to The Haunted Screen: Experssionism in the German Cinema and the Influcence of Max Reinhardt -- Translated by Roger Greaves --   -- 4. POSTWAR GERMANY: 1945 TO THE PRESENT --   -- Film Artists --   -- WOLFGANG STAUDTE -- A Letter to the Central Military Commander of the Soviet Occupation Zone -- Translated by Lance W. Garmer --   -- GUNTER GROLL, HELMUT KAUTNER, AND WALTER TALMON-GOS -- Every Audience, as Everybody Knows, Has the Film It Deserves -- Translated by Lance W. Garmer --   -- THE OBERHAUSEN MANIFESTO -- Translated by Eric Rentschler --   -- ALEXANDER KLUGE -- What Do the \"Oberhauseners\" Want? -- Translated by Eric Rentschler --   -- WOLFGANG STAUDTE -- A Reflection: Befouling Our Own Nest? -- Translated by Lance W. Garmer --   -- WIM WENDERS -- That's Entertainment: Hitler -- Translated and abridged by Eric Rentschler --   -- HELKE SANDER -- Feminism and Film -- Translated by Ramona Curry --   -- KONRAD WOLF -- On the Possibilities of Socialist Film Art: Reactions to Mama, I'm Alive -- Translated by Lance W. Garmer --   -- RAINER WERNER FASSBINDER -- From The Third Generation -- Translated by Krishna Winston --   -- THE MANIFESTO OF THE WOMEN FILM WORKERS -- Translated by Eric Rentschler --   -- JUTTA BRUCKNER -- Women's Films Are Searches for Traces -- Translated by Antje Masten --   -- WOLFGANG KOHLHAASE -- DEFA: A Personal View -- Translated by Margaret Vallance --   -- Critics, Scholars, and Theorists --   -- ENNO PATALAS -- On German Postwar Film -- Translated by Lance W. Garmer --   -- THEODOR W. ADORNO -- Transparencies on Film -- Translated by Thomas Y. Levin --   -- GERTRUD KOCH -- Ex-Changing the Gaze: Re-Visioning Feminist Film Theory --   -- HEIDE SCHLUPMANN -- Melodrama and Social Drama in the Early German Cinema -- Translated by Jamie Owen Daniel --   -- KARSTEN WITTE -- The Indivisible Legacy of Nazi Cinema --   -- Bibliography: Primary Sources --"]
[null,null,null,"Sommario/riassunto","This fascinating volume is for all serious students of European cinema as well as historians of Germany in the 20th century. \"German Essays on Film\" is divided into five parts: Late Wilhelmine Germany; Weimar Republic (1918-33); Inside the \"Third Reich\" (1933-45); Intellectuals in Exile; and Postwar Germany: since 1945. Among the writers, thinkers, filmmakers, and scholars anthologized are: Alfred D blin, Georg Luk cs, Claire Goll, Hugo von Hofmannsthal, Fritz Lang, F. W. Murnau, Joseph Goebbels, Leni Riefenstahl, Walter Benjamin, Max Horkheimer, Theodor W. Adorno, Siegfried Kracauer, R. W. Fassbinder, Wim Wenders, Gertrud Koch, and many others. The introduction by McCormick and Guenther-Pal along with generous headnotes help to put all these essays into historic perspective"]
[null,"2.","Record Nr.",null,"UNISA996197717903316"]
[null,null,"Autore",null,"Pavlich George C (George Clifford), <1960, >"]
[null,null,"Titolo",null,"Justice fragmented : mediating community disputes under postmodern conditions / / George C. Pavlich"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York : , : Routledge, , 1996"]
[null,null,"ISBN",null,"1-134-82960-4"]
[{"$nulls":4},"1-134-82961-2"]
[{"$nulls":4},"1-280-32054-0"]
[{"$nulls":4},"0-203-42836-6"]
[null,null,"Descrizione fisica",null,"1 online resource (217 p.)"]
[null,null,"Disciplina",null,"307.0971"]
[{"$nulls":4},"347.079"]
[{"$nulls":4},"347/.09"]
[null,null,"Soggetti",null,"Dispute resolution (Law)"]
[{"$nulls":4},"Neighborhood justice centers"]
[{"$nulls":4},"Mediation"]
[{"$nulls":4},"Dispute resolution (Law) - British Columbia"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 176-199) and index."]
[null,null,"Nota di contenuto",null,"JUSTICE FRAGMENTED Mediating community disputes under postmodernconditions; Copyright; Contents; Acknowledgements; 1 In Search ofa Beginning...; Approaching criticism or critical approach?; Concepts, concepts, concepts; Signposting the narrative; 2 The Fragmented Auspices of CommunityJustice; Enunciating justice: two horizons of meaning; Approaching justice in a modern ethos; Justice talk in the interregnum; Justice in search of idioms: the rise of mediation; 3 CalculatingCommunity Justice: Mediation in British Columbia; The context: a social field emerges; Community mediation in action"]
[{"$nulls":4},"Calculating community justice in British ColumbiaThe 'neutral' mediator?; Community mediation: a postmodern idiom?; 4 The Critics Respond: Dark Shadows ofCourtroom Justice; Calculations as ideology: control through consensus; The structural logic of community mediation; Aporias in the early critics' discourse; 5 Redrawing Critical Lines of Enquiry: Foucault, Power andCommunity Mediation; Fitzpatrick: taking community justice seriously; Interpreting Foucault: methodological precautions; A redrawn map: Foucault, criticism and "]
[{"$nulls":4},"community mediation; Can Foucault take community mediation seriously?"]
[{"$nulls":4},"6 Governing Disputes: Mediating Between Individuals, Selves andCommunitiesCommunity mediation and pastoral power; Visions of community; Individual, disputing selves; Integrating community, individuals and selves; 7 Governmentalisingthe State: Intersecting Political Rationalities; The sovereign-law model; Law and the identity of community mediation; Community mediation and the law; The symbioses of mutual constitution: 'remote control'; Community mediation and the future: dangers, resistance and strategic engagement; The promise: an alternative politics of dispute resolution"]
[{"$nulls":4},"In lieu of a conclusionNotes; Bibliography; Index"]
[null,null,null,"Sommario/riassunto","Suppose you have a dispute with your neighbour, and wish to secure redress for losses incurred. How might the issue be resolved? Is it worth the cost and time delay to take the issue to court? Or is there some other approach? Over the past few decades a range of alternative, dispute resolution programmes have emerged to settle conflicts informally, outside the courtroom. Drawing on real life experiences of community mediation practices in British Columbia, Canada, the author explores informal justice as an event rendered possible by the fragmentation of justice under postmodern conditions. He"]
[null,"3.","Record Nr.",null,"UNINA9910163956803321"]
[null,null,"Autore",null,"Brody Jessica"]
[null,null,"Titolo",null,"Addie Bell's Shortcut to Growing Up"]
[null,null,"Pubbl/distr/stampa",null,"2017"]
[{"$nulls":4},"Westminster : , : Random House Children's Books, , 2017"]
[{"$nulls":4},"©2017"]
[null,null,"Descrizione fisica",null,"1 online resource (263 pages)"]
[null,null,"Classificazione",null,"JUV039060JUV039090JUV019000"]
[null,null,"Disciplina",null,"813.6"]
[null,null,"Soggetti",null,"Best friends"]
[{"$nulls":4},"Friendship"]
[{"$nulls":4},"Growth"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Intro -- Title Page -- Copyright -- Contents -- Dedication -- Power-Smoothie Blender Brain -- Magic in the Heart -- Starfishes and Onion Breath -- Addie and the Terrible, Horrible, No-Good, Very Bad Birthday -- Everything About Everything -- The Yeti Forgetti -- Too Old for Tea Parties -- Sealed with a Key -- Mirror, Mirror on the Wall -- Kung Fu Wake-Up Call -- Cupcake Nails and Emojis -- Bye-Bye, Addie -- Very Lost and Kind of Found -- Trigo&#x2026;Who? -- Exsqueezay-Moi -- Beware of Locker 702 -- Addie Van Winkle -- Home (Almost) Alone -- Grace-Less -- Provoking Loud Laughter -- Shimmer and Shine -- Seven Boys -- The Five Rules of Flirting -- Smiling Like a Duck-Billed Platypus -- Dancing with the Stars? -- Adeline Don't Got Talent -- Counting Down to Disaster -- Sorrys and Pleases -- The Great Quest -- Touch-Ups and Breakdowns -- The Wallowing Will Have to Wait -- Mint-Chip Fingers -- Sweet Coffee Sludge -- One Step Forward, One Step Back -- A Swap of Hearts -- I Just Wanna Know You -- Two Text Messages and a Vlog -- Laughter Never Changes -- Closing Doors -- The Infamous Hair Flip -- Slobbery Swamp Ball -- Return of the Starfish Dress! -- Seeing Ghosts -- Cheater, Cheater, Green-Slime Eater! -- The Winky-Face Conspiracy -- Click -- Starting Over -- The Safest Place -- Castles in the Sky -- The New (and Improved) Addie Bell -- Best Friends Forever -- Return of the Starlit Lady -- Acknowledgments -- About the Author."]
[null,null,null,"Sommario/riassunto","\"Seventh grader Addie Bell can't wait to grow up. Her parents won't let "]
[{"$nulls":4},"her have her own phone, she doesn't have any curves, and her best friend, Grace, isn't at all interested in makeup or boys. Then, on the night of her twelfth birthday, Addie makes a wish on a magic jewelry box to be sixteen . . . and wakes up to find her entire life has been fast-forwarded four years!\"--"]