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[null,"1.","Record Nr.",null,"UNINA9910456798203321"]
[null,null,"Autore",null,"Fox Alistair"]
[null,null,"Titolo",null,"Jane Campion [[electronic resource] ] : authorship and personal cinema / / Alistair Fox"]
[null,null,"Pubbl/distr/stampa",null,"Bloomington [Ind.], : Indiana University Press, c2011"]
[null,null,"ISBN",null,"1-283-23579-X"]
[{"$nulls":4},"9786613235794"]
[{"$nulls":4},"0-253-00087-4"]
[null,null,"Descrizione fisica",null,"1 online resource (288 p.)"]
[null,null,"Disciplina",null,"791.4302/33092"]
[{"$nulls":4},"B"]
[null,null,"Soggetti",null,"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references, filmography and index."]
[null,null,"Nota di contenuto",null,"Introduction: authorship, creativity, and personal cinema -- Origins of a problematic: the Campion family -- The \"tragic underbelly\" of the family: fantasies of transgression in the early films -- Living in the shadow of the family tree: Sweetie -- \"How painful it is to have a family member with a problem like that\": authorship as creative adaptation in An angel at my table -- Traumas of separation and the encounter with the phallic other: The piano -- The misfortunes of an heiress: The portrait of a lady -- Exacting revenge on \"cunt men\": Holy smoke as sexual fantasy -- \"That which terrifies and attracts simultaneously\": Killing daddy in the cut -- Lighting a lamp: loss, art, and transcendence in The water diary and Bright star -- Conclusion: theorizing the personal component of authorship."]
[null,null,null,"Sommario/riassunto","Alistair Fox explores the dynamics of the creative process involved in cinematic representation in the films of Jane Campion, one of the most highly regarded of contemporary filmmakers. Utilizing a wealth of new material -- including interviews with Campion and her sister and personal writings of her mother -- Fox traces the connections between the filmmaker's complex background and the thematic preoccupations of her films, from her earliest short, Peel, to 2009's Bright Star. He establishes how Campio"]