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[null,"1.","Record Nr.",null,"UNINA9910456589103321"]
[null,null,"Autore",null,"Banfield William C. <1961->"]
[null,null,"Titolo",null,"Cultural codes [[electronic resource] ] : makings of a Black music philosophy : an interpretive history from spirituals to hip hop / / William C. Banfield"]
[null,null,"Pubbl/distr/stampa",null,"Lanham, Md., : Scarecrow Press, 2010"]
[null,null,"ISBN",null,"1-282-48047-2"]
[{"$nulls":4},"9786612480478"]
[{"$nulls":4},"0-8108-7287-0"]
[null,null,"Descrizione fisica",null,"1 online resource (255 p.)"]
[null,null,"Collana",null,"African American cultural theory and heritage"]
[null,null,"Disciplina",null,"780.89/96073"]
[null,null,"Soggetti",null,"African Americans - Music - History and criticism"]
[{"$nulls":4},"Popular music - United States - History and criticism"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Contents; Preface; Acknowledgments; Part I. A CULTURAL CHARGE; Ch01. Black Notes and Cultural Codes:Makings of a Black Music Philosophy; Ch02. A New Black Music Arts Aesthetic; Ch03. A History of Aesthetic Definitions; Ch04. Hip to the Hop; Part II. BUILDING A BLACKMUSIC PHILOSOPHY; Ch05. A Cultural Education; Ch06. Black Music Studies; Part III. MAPPING BLACK MUSIC,HISTORY, MEANING,CODES, AND ARTISTRY; Ch07. African Roots toBlues, New Orleans, and Ragtime; Photospread; Ch08. Jazz: The NewModern Mode of Being; Ch09. Race Records, Gospel,R&B, and Urban Blues"]
[{"$nulls":4},"Ch10. Urban Contemporary:Soul, Funk, and GlobalCh11. Hip Hop: Connecting the Dots; Part IV. CODA: CLOSING THEMES; Ch12. Core Values and the Black Aesthetic Code; Appendix: Recommended Music and Songs; Notes; Index; About the Author"]
[null,null,null,"Sommario/riassunto","By providing a focused examination of the historical development of Black music artistry, William C. Banfield formulates a usable philosophy tied to how such music is made, shaped, and functions. He explores Black music culture from three angles: history, education, and the creative work of the musicians-engaging the reader in a conversation about the aesthetics and meanings that inform the cultural codes of Black music."]