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[null,"1.","Record Nr.",null,"UNINA9910463323003321"]
[null,null,"Autore",null,"Maharidge Dale"]
[null,null,"Titolo",null,"Someplace like America [[electronic resource] ] : tales from the New Great Depression / / Dale Maharidge"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley, : University of California Press, 2013"]
[null,null,"ISBN",null,"0-520-95650-8"]
[null,null,"Edizione",null,"[Updated ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (349 p.)"]
[null,null,"Disciplina",null,"305.5620973"]
[null,null,"Soggetti",null,"Poverty - United States"]
[{"$nulls":4},"Unemployed - United States"]
[{"$nulls":4},"United States - Economic conditions - 21st century"]
[{"$nulls":4},"United States - Social conditions - 21st century"]
[{"$nulls":4},"Working class - United States"]
[{"$nulls":4},"Working poor - United States"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"Photographs by Michael S. Williamson\"."]
[{"$nulls":4},"\"With a foreword by Bruce Springsteen\"."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Foreword By Bruce Springsteen -- Preface To The 2013 Edition -- Someplace Like America: An Introduction -- Snapshots From The Road, 2009 -- Part 1. America Begins A Thirty-Year Journey To Nowhere: The 1980's -- Part 2. The Journey Continues: The 1990's -- Part 3. A Nation Grows Hungrier: 2000 -- Part 4. Updating People And Places: The Late 2000's -- Part 5. America With The Lid Ripped Off: The Late 2000's -- Part 6. Rebuilding Ourselves, Then Taking America -- Acknowledgments And Credits -- Notes"]
[null,null,null,"Sommario/riassunto","In Someplace Like America, writer Dale Maharidge and photographer Michael S. Williamson take us to the working-class heart of America, bringing to life-through shoe leather reporting, memoir, vivid stories, stunning photographs, and thoughtful analysis-the deepening crises of poverty and homelessness. The story begins in 1980, when the authors joined forces to cover the America being ignored by the mainstream media-people living on the margins and losing their jobs as a result of deindustrialization. Since then, Maharidge and Williamson have traveled more than half a million miles to investigate the state of the working class (winning a Pulitzer Prize in the process). In Someplace Like "]
[{"$nulls":4},"America, they follow the lives of several families over the thirty-year span to present an intimate and devastating portrait of workers going jobless. This brilliant and essential study-begun in the trickle-down Reagan years and culminating with the recent banking catastrophe-puts a human face on today's grim economic numbers. It also illuminates the courage and resolve with which the next generation faces the future."]
[null,"2.","Record Nr.",null,"UNINA9910456329603321"]
[null,null,"Autore",null,"Waddington Raymond B."]
[null,null,"Titolo",null,"Aretino's satyr : sexuality, satire and self-projection in sixteenth-century literature and art / / Raymond B. Waddington"]
[null,null,"Pubbl/distr/stampa",null,"Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2004"]
[{"$nulls":4},"©2004"]
[null,null,"ISBN",null,"1-281-99468-5"]
[{"$nulls":4},"9786611994686"]
[{"$nulls":4},"1-4426-7097-5"]
[null,null,"Edizione",null,"[2nd ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (358 p.)"]
[null,null,"Collana",null,"Toronto Italian Studies"]
[null,null,"Disciplina",null,"858/.309"]
[null,null,"Soggetti",null,"LITERARY CRITICISM / European / Italian"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and indexes."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- Note on Texts, Translations, and Citations -- Abbreviations -- 1. Ostentatio genitalium: Revaluing Sexuality -- 2. Aretino and Print Culture -- 3. The Better Image: Portraits in Words, Wood, and Bronze -- 4. Satyr and Satirist -- 5. Serious Play: From Satyr to Silenus -- Epilogue: Titian's The Flaying of Marsyas -- Notes -- Bibliography -- Name Index -- Subject Index"]
[null,null,null,"Sommario/riassunto","Pietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino's carefully cultivated scandalous persona ? a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts.In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino's own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer. Arguing that Aretino's deployment of an artistic network for self-promotional ends was so successful that for a period his face "]
[{"$nulls":4},"was possibly the most famous in Western Europe, Waddington also defends Aretino, describing his involvement in the larger sphere of the production and promotion of the visual arts of the period.Aretino's Satyr is richly illustrated with examples of the visual media used by the writer to create his persona. These include portraits by major artists, and arti minori: engravings, portrait medals and woodcuts."]