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[null,"1.","Record Nr.",null,"UNINA9910456213103321"]
[null,null,"Autore",null,"Rogers Paul"]
[null,null,"Titolo",null,"ABCs of z/OS system programming . Volume 1 [[electronic resource] /] / Paul Rogers ... [et al.]"]
[null,null,"Pubbl/distr/stampa",null,"Poughkeepsie, NY, : IBM, International Technical Support Organization, 2003"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (218 p.)"]
[null,null,"Collana",null,"IBM redbooks"]
[null,null,"Disciplina",null,"005.4/3"]
[null,null,"Soggetti",null,"Operating systems (Computers)"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"December 2003.\""]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,"2.","Record Nr.",null,"UNINA9910777646303321"]
[null,null,"Titolo",null,"Avant-garde/Neo-avant-garde / / editor, Dietrich Scheunemann"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam ; ; New York, N.Y., : Rodopi, 2005"]
[null,null,"ISBN",null,"94-012-0258-3"]
[{"$nulls":4},"1-4237-8851-6"]
[null,null,"Descrizione fisica",null,"1 online resource  (346 pages) : illustrations, portrait"]
[null,null,"Collana",null,"Avant Garde critical studies ; ; 17"]
[null,null,"Classificazione",null,"20.30"]
[null,null,"Disciplina",null,"111.85"]
[null,null,"Soggetti",null,"Avant-garde (Aesthetics)"]
[{"$nulls":4},"Arts, Modern - 20th century"]
[{"$nulls":4},"Arts, Modern - 21st century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Contributions mostly based on papers previously presented at a conference held in Edinburgh in Sept. 2002."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Preliminary Material / Dietrich Scheunemann -- Preface / Dietrich Scheunemann -- From Collage to the Multiple. On the Genealogy of Avant-Garde and Neo-Avant-Garde / DIETRICH SCHEUNEMANN -- Wilhelm Worringer and the Historical Avant-Garde / RHYS W. WILLIAMS -- On the Historiographic Distinction between Historical and Neo-Avant-Garde / HUBERT VAN DEN BERG -- Abstraction, Sublation and the Avant-Garde: The Case of De Stijl / MICHAEL WHITE -- Sameness and Difference: Duchamp’s Editioned Ready-mades and the Neo-Avant-Garde / DAVID HOPKINS -- Paint it Black: Ad Reinhardt’s Paradoxical Avant-Gardism / BEN HIGHMORE -- Verbal Chemistry and Concrete Poetry / KEITH ASPLEY -- How the Letters Learnt to Dance: On Language Dissection in Dadaist, Concrete and Digital Poetry / ANNA KATHARINA SCHAFFNER -- American Language Poetry and the Definition of the Avant-Garde / JACOB EDMOND -- From Futurism to Neo-Futurism: Continuities and New Departures in Twentieth-Century Avant-Garde Performance / GÜNTER BERGHAUS -- Actor or Puppet: The Body in the Theatres of the Avant-Garde / OLGA TAXIDOU -- Fragmentation of the Body in Spanish Surrealism / UTA FELTEN -- The Surface of Illusion: Avant-Garde Apperception and Antecedence in Structural/Materialist Film / DAVID MACRAE -- What Avant-Garde? / GÉRARD LEBLANC -- The Limits of “Non-Plan”: Architecture and the Avant-Garde / RICHARD WILLIAMS -- Montage in the Arts: A Reassessment / JENNIFER VALCKE -- Means and Metaphors of Change: "]
[{"$nulls":4},"Technology and the Danish Avant-Garde of the 1960's / TANIA ØRUM -- Literature under the Impact of Film: On Dutch Author-Critics of the Avant-Garde and Neo-Avant-Garde / KLAUS BEEKMAN -- List of Illustrations / Dietrich Scheunemann -- Index / Dietrich Scheunemann."]
[null,null,null,"Sommario/riassunto","This collection of critical essays explores new approaches to the study of avant-garde literature and art, film and architecture. It offers a theoretical framework that avoids narrowly defined notions of the avant-garde. It takes into account the diversity of artistic aims and directions of the various avant-garde movements and encourages a wide and open exploration of the multifaceted and often contradictory nature of the great variety of avant-gardist innovations. Individual essays concentrate on cubist collage and dadaist photomontage, on abstract painting by members of the Dutch group De Stijl , on verbal chemistry and dadaist poetry and on body art from futurism to surrealism. In addition, the collection wishes to open up the discussion of the avant-garde to a thorough investigation of neo-avant-garde activities in the 1950's and 1960's. For decades the appreciation of neo-avant-garde art and literature, film and architecture suffered from a general and all-inclusive rebuke. This volume is designed to contribute to a breakthrough towards a more competent and more precise investigation of this research field. Contributions include a discussion of Warhol’s multiples as well as Duchamp’s editioned ready-mades, forms of concrete and digital poetry as well as the architectural “Non-Plan”. The main body of the volume is based on presentations and discussions of a three-day research seminar held at the University of Edinburgh in September 2002. The research group formed around the Avant-Garde Project at Edinburgh will continue with its efforts to elaborate a new theory of the avant-garde in the coming years."]