{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":22,"n_cols":5,"rows_kept":22,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[3,2,3,3],[6,2,6,3],[7,2,7,3],[9,2,9,3],[13,2,13,3],[14,2,14,3],[18,2,18,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910456031903321"]
[null,null,"Titolo",null,"Languages of theatre shaped by women [[electronic resource] /] / [edited by] Jane de Gay and Lizbeth Goodman"]
[null,null,"Pubbl/distr/stampa",null,"Bristol, UK ; ; Portland, OR, : Intellect, 2003"]
[null,null,"ISBN",null,"1-280-47743-1"]
[{"$nulls":4},"9786610477432"]
[{"$nulls":4},"1-84150-878-0"]
[null,null,"Descrizione fisica",null,"1 online resource (202 p.)"]
[null,null,"Disciplina",null,"418.00285"]
[{"$nulls":4},"792.082"]
[null,null,"Soggetti",null,"Women in the theater"]
[{"$nulls":4},"Feminist theater"]
[{"$nulls":4},"Feminism and theater"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front Cover; Preliminaries; Contents; List of Illustrations; Notes on Contributors; Introduction: Speaking in Tongues - Making (Sense of) Women's Languages in Theatre; 1 Seizing Speech and Playing with Fire: Greek Mythological Heroines and International Women's Performance; 2 Lear's Daughters on Stage and in Multimedia and Fiona Shaw's King Lear Workshops as Case Studies in Breaking the Frame; 3 Playing (with) Shakespeare: Bryony Lavery's Ophelia and Jane Prendergast's I, Hamlet; 4 Theorizing Practice-Based Research: Performing and Analysing Self in Role as 'I, Hamlet'"]
[{"$nulls":4},"5 Transmitting the Voices, Voyages and Visions: Adapting Virginia Woolf's To the Lighthouse for Radio6 Voicing Identities, Reframing Difference(s): The Case of Fo(u)r Women; Fo(u)r Women; 7 Scratch in the Record; 8 One-to-One: Lone Journeys; 9 Mouth Ghosts: The Taste of the Os-Text; Afterword - Shape-Shifters and Hidden Bodies; Bibliography and Further Reading; Index; Back Cover"]
[null,null,null,"Sommario/riassunto","Addressing issues of feminism and representation, this book provides a fresh and thorough consideration of the status and potential of Women's theatre today.The authors explore a range of different approaches to the languages of theatre, including translation and interpretation of the art form, along with languages, performance work, "]
[{"$nulls":4},"body language and gesture. Considered alongside the related social issues of race, class and dialect, the following questions emerge:  What is the role of language in theatre today?  Whose language is English; what other languages do women making theatre use?"]