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[null,"1.","Record Nr.",null,"UNINA9910455942503321"]
[null,null,"Autore",null,"Potter Hillary <1969->"]
[null,null,"Titolo",null,"Battle cries [[electronic resource] ] : Black women and intimate partner abuse / / Hillary Potter"]
[null,null,"Pubbl/distr/stampa",null,"New York, : New York University Press, c2008"]
[null,null,"ISBN",null,"0-8147-6847-4"]
[{"$nulls":4},"0-8147-6771-0"]
[null,null,"Descrizione fisica",null,"1 online resource (286 p.)"]
[null,null,"Disciplina",null,"362.82/9208996073"]
[null,null,"Soggetti",null,"Intimate partner violence - United States"]
[{"$nulls":4},"African American women - Abuse of"]
[{"$nulls":4},"Abused women - United States"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 249-267) and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgments -- 1. Introduction -- 2. Black Feminist Criminology and the Power of Narrative -- 3. Dynamic Resistance -- 4. Surviving Childhood -- 5. Living Through It -- 6. Fighting Back -- 7. Getting Out -- 8. Conclusion -- Appendix A -- Appendix B -- Notes -- Bibliography -- Index -- About the Author"]
[null,null,null,"Sommario/riassunto","Contrary to the stereotype of the “strong Black woman,” African American women are more plagued by domestic violence than any other racial group in the United States. In fact, African American women experience intimate partner violence at a rate 35% higher than white women and about two and a half times more than women of other races and ethnicities. This common portrayal can hinder black women seeking help and support simply because those on the outside don't think help is needed. Yet, as Hillary Potter argues in Battle Cries: Black Women and Intimate Partner Abuse, this stereotype often helps these African American women to resist and to verbally and physically retaliate against their abusers. Thanks to this generalization, Potter observes, black women are less inclined to label themselves as “victims” and more inclined to fight back.Battle Cries is an eye-opening examination of African American women's experiences with intimate partner abuse, the methods used to contend with abusive mates, and the immediate and enduring consequences resulting from the maltreatment. Based on intensive interviews with 40 African American "]
[{"$nulls":4},"women abused by their male partners, Potter's analysis takes into account variations in their experiences based on socioeconomic class, education level, and age, and discusses the common abuses and perceptions they share. Combining her remarkable findings with black feminist thought and critical race theory, Potter offers a unique and significant window through which we can better understand this understudied though rampant social problem."]
[null,"2.","Record Nr.",null,"UNINA9910765857303321"]
[null,null,"Autore",null,"Gerlach Jonas"]
[null,null,"Titolo",null,"Buddha in Beton"]
[null,null,"Pubbl/distr/stampa",null,"Cologne, : Modern Academic Publishing, 2017"]
[null,null,"ISBN",null,"3-946198-23-6"]
[null,null,"Descrizione fisica",null,"1 online resource (522)"]
[null,null,"Soggetti",null,"History of art & design styles: c 1800 to c 1900"]
[{"$nulls":4},"History of art & design styles: from c 1900 -"]
[{"$nulls":4},"Religious buildings"]
[{"$nulls":4},"History of architecture"]
[{"$nulls":4},"Philosophy: aesthetics"]
[{"$nulls":4},"Buddhism"]
[{"$nulls":4},"Japan"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","emple. And only because temple architecture – as well as paintings, statues, gardens etc. – shows the presence of the Buddha in this way does it become a religious place where the Buddha is actually present. The final discussion of this study puts these Buddhist teachings in a dialogue with modern aesthetic architectural concepts argued by temple architects. The contrasting points of view make it clear that the explicitly Buddhist idea of Buddhist temple architecture can not be grasped by aesthetics, because its purpose is to show the invisible presence of the Buddha and not to be a sensual (i.e. aesthetic) experience of the visible object itself in the first place. However, aesthetic concepts of art have become common in Japan since the late 19th century. They are the foundation of the described new ways in which temples were built and designed since then. One indication for the impact of aesthetics are Japanese words like shimboru シンボル/shōchō 象徴 (symbol) or fun’iki 雰囲気 (atmosphere) which are used by architects to describe their temple architecture and matters of design. These words were formed around the turn of the century to express European concepts of art and aesthetics, since before that these words and ideas simply did not exist in Japan. And it is only since then, that "]
[{"$nulls":4},"temples were perceived as aesthetic symbols with various meanings that can be defined by an architect, and that they have a certain atmosphere which should be designed for making visitors feeling comfortable. Now it is the architect himself who gives meaning to its work and who is responsible for a nice spatial experience. But none of these architects is talking about himself becoming Buddha by building a temple.\nSo not only the architectural appearance and construction of Buddhist temples have changed enormously throughout the last 150 years, but also the task of building itself. There has always been change in appearance and construction throughout the history of Buddhism and in the different Buddhist cultures, but the redefinition of the temple as an architectural piece of art is a very recent development in Japan and the actual new idea causing these dramatic architectural changes.\n\""]