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[null,"1.","Record Nr.",null,"UNINA9910455767403321"]
[null,null,"Autore",null,"Rahim M. Afzalur"]
[null,null,"Titolo",null,"Managing conflict in organizations [[electronic resource] /] / M. Afzalur Rahim"]
[null,null,"Pubbl/distr/stampa",null,"Westport, Conn., : Quorum Books, 2001"]
[null,null,"ISBN",null,"0-313-00048-4"]
[null,null,"Edizione",null,"[3rd ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (309 p.)"]
[null,null,"Disciplina",null,"658.4/053"]
[null,null,"Soggetti",null,"Conflict management"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [257]-280) and indexes."]
[null,null,"Nota di contenuto",null,"Preliminaries; Contents; Preface; 1 Introduction; 2 Nature of Conflict; 3 Measurement of Conflict; 4 Organizational Learning and Effectiveness; 5 Conflict Management Design; 6 Intrapersonal Conflict; 7 Interpersonal Conflict; 8 Intragroup Conflict; 9 Intergroup Conflict; 10 Ethics and Morality; 11 Epilogue; Appendix A Cases; Appendix B Exercises; References; Author Index; Subject Index"]
[null,null,null,"Sommario/riassunto","Revised and updated for the third edition, this volume provides a systematic approach to the management of organizational conflict. It suggests that such conflict need not be minimized or avoided in all cases, but rather some conflicts are functional and others dysfunctional."]
[null,"2.","Record Nr.",null,"UNINA9910965077903321"]
[null,null,"Autore",null,"Stauss Sebastian"]
[null,null,"Titolo",null,"Zwischen Narzissmus und Selbsthass : Das Bild des ästhetizistischen Künstlers im Theater der Jahrhundertwende und der Zwischenkriegszeit / / Sebastian Stauss"]
[null,null,"Pubbl/distr/stampa",null,"Berlin, : De Gruyter, 2010"]
[null,null,"ISBN",null,"1-282-71615-8"]
[{"$nulls":4},"9786612716157"]
[{"$nulls":4},"3-11-174435-3"]
[{"$nulls":4},"3-11-023311-8"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (260 p.)"]
[null,null,"Collana",null,"Theatron : Studien zur Geschichte und Theorie der dramatischen Künste, , 0934-6252 ; ; Bd. 57"]
[null,null,"Disciplina",null,"792.094"]
[{"$nulls":4},"809.29357"]
[null,null,"Soggetti",null,"Aesthetics"]
[{"$nulls":4},"Narcissism"]
[{"$nulls":4},"Musical theater - History and criticism"]
[{"$nulls":4},"Music - Philosophy and aesthetics"]
[{"$nulls":4},"Performing arts"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Inhalt -- 1. Einführung -- 2. Grundlagen -- 3. Künstleroper und Künstlerdrama des fin de siècle -- 4. Kult und Mysterien -- 5. Grandiosität und Inferiorität - Künstlerdrama als Beziehungsdrama -- 6. Provokation und Prophetie -- 7. Franz Schreker und Alexander Zemlinsky: Das ›andere‹ Musikdrama -- 8. Geschichte und Mythos -- 9. Schlussworte -- Backmatter"]
[null,null,null,"Sommario/riassunto","Narziss ist eine viel genannte Schlüsselfigur der literarischen Dekadenz. Doch welche theoretischen Überlegungen, Analogien und Umkehrschlüsse zwischen Mythologie, Ästhetik und Psychologie verbinden sich mit und in ihm? Es lässt sich hinsichtlich des westeuropäischen Theaters der Jahrhundertwende und der Zeit zwischen den Weltkriegen davon ausgehen und erkunden, wie Künstlerfiguren dieser Epoche eine Aura und eine Charakterisierung eingeräumt werden, die sich an der sozialen Realität orientieren - oder von dieser mitunter stark divergieren. Die im 19. Jahrhundert noch weit verbreiteten Gattungen des Künstlerdramas und -romans weichen zu "]
[{"$nulls":4},"Beginn des 20. Jahrhunderts zudem neuen Formen und Spielarten von \"Gesamtkunstwerken\" und der Selbst-Inszenierung. Den gemeinhin bekannten \"Narzissten\" wie Oscar Wilde oder André Gide stehen Dramatiker und Opernkomponisten wie J. M. Barrie oder Franz Schreker gegenüber, die Künstlerleben zwischen Selbsthass und -zerstörung auf die Bühne bringen."]