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[null,"1.","Record Nr.",null,"UNINA9910452634003321"]
[null,null,"Autore",null,"Busà Maria Grazia"]
[null,null,"Titolo",null,"Introducing the language of the news : a student's guide / / M. Grazia Busà"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York : , : Routledge, , 2014"]
[null,null,"ISBN",null,"0-415-63730-9"]
[{"$nulls":4},"0-203-79706-X"]
[{"$nulls":4},"1-135-14447-8"]
[null,null,"Descrizione fisica",null,"1 online resource (177 p.)"]
[null,null,"Disciplina",null,"070.101/4"]
[null,null,"Soggetti",null,"Mass media and language"]
[{"$nulls":4},"Broadcast journalism - Language"]
[{"$nulls":4},"Newspapers - Language"]
[{"$nulls":4},"Discourse analysis - Social aspects"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"1. Making news -- 2. Defining news -- 3. Sourcing news -- 4. Conveying meaning through design -- 5. Structuring the story -- 6. Headline, lead and story proper -- 7. The tools of the trade -- 8. Reporting information and evaluating likelihood -- 9. The power of words."]
[null,null,null,"Sommario/riassunto","Introducing the Language of the News is a comprehensive introduction to the language of news reporting. Assuming no prior knowledge of linguistics, the book provides an accessible analysis of the processes that produce news language, and discusses how different linguistic choices promote different interpretations of news texts. Key features include:comprehensive coverage of both print and online news, including news design and layout, story structure, the role of headlines and leads, style, grammar and vocabularya range of contemporary examples in the international press, from the 2012 Olympic"]
[null,"2.","Record Nr.",null,"UNINA9910455582503321"]
[null,null,"Autore",null,"Krasner David"]
[null,null,"Titolo",null,"Staging Philosophy [[electronic resource] ] : Intersections of Theater, Performance, and Philosophy"]
[null,null,"Pubbl/distr/stampa",null,"Ann Arbor, : University of Michigan Press, 2010"]
[null,null,"ISBN",null,"1-282-59754-X"]
[{"$nulls":4},"9786612597541"]
[{"$nulls":4},"0-472-02514-7"]
[null,null,"Descrizione fisica",null,"1 online resource (343 p.)"]
[null,null,"Collana",null,"Theater: Theory/Text/Performance"]
[null,null,"Disciplina",null,"791.01"]
[null,null,"Soggetti",null,"Performing arts -- Philosophy"]
[{"$nulls":4},"Performing arts -- Social aspects"]
[{"$nulls":4},"Performing arts - Social aspects"]
[{"$nulls":4},"Performing arts - Philosophy"]
[{"$nulls":4},"Literature - General"]
[{"$nulls":4},"Languages & Literatures"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Contents; David Krasner and David Z. Saltz, Introduction; PART I: History and Method; One: Julia A. Walker, The Text/Performance Split across the Analytic/Continental Divide; Two: Martin Puchner, Kenneth Burke: Theater, Philosophy, and the Limits of Performance; Three: Tobin Nellhaus, Critical Realism and Performance Strategies; PART II: Presence; Four: Philip Auslander, Humanoid Boogie: Reflections on Robotic Performance; Five: Noël Carroll, Philosophy and Drama: Performance, Interpretation, and Intentionality; Six: Suzanne M. Jaeger, Embodiment and Presence: The Ontology of Presence Recon"]
[{"$nulls":4},"Seven: Jon Erickson, PresenceEight: Robert P. Crease and John Lutterbie, Technique; Nine: Alice Rayner, Presenting Objects, Presenting Things; PART III: Reception; Ten: David Z. Saltz, Infiction and Outfiction: The Role of Fiction in Theatrical Performance; Eleven: James R. Hamilton, Understanding Plays; Twelve: Bence Nanay, Perception, Action, and Identification in the Theater; Thirteen: David Krasner, Empathy and Theater; Fourteen: Mike Sell, The Voice of Blackness: The Black Arts Movement and Logocentrism; Fifteen: Michael L. Quinn, Theatricality, "]
[{"$nulls":4},"Convention, and the Principle of Charity"]
[{"$nulls":4},"ContributorsIndex"]