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[null,"1.","Record Nr.",null,"UNINA9910455582503321"]
[null,null,"Autore",null,"Krasner David"]
[null,null,"Titolo",null,"Staging Philosophy [[electronic resource] ] : Intersections of Theater, Performance, and Philosophy"]
[null,null,"Pubbl/distr/stampa",null,"Ann Arbor, : University of Michigan Press, 2010"]
[null,null,"ISBN",null,"1-282-59754-X"]
[{"$nulls":4},"9786612597541"]
[{"$nulls":4},"0-472-02514-7"]
[null,null,"Descrizione fisica",null,"1 online resource (343 p.)"]
[null,null,"Collana",null,"Theater: Theory/Text/Performance"]
[null,null,"Disciplina",null,"791.01"]
[null,null,"Soggetti",null,"Performing arts -- Philosophy"]
[{"$nulls":4},"Performing arts -- Social aspects"]
[{"$nulls":4},"Performing arts - Social aspects"]
[{"$nulls":4},"Performing arts - Philosophy"]
[{"$nulls":4},"Literature - General"]
[{"$nulls":4},"Languages & Literatures"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Contents; David Krasner and David Z. Saltz, Introduction; PART I: History and Method; One: Julia A. Walker, The Text/Performance Split across the Analytic/Continental Divide; Two: Martin Puchner, Kenneth Burke: Theater, Philosophy, and the Limits of Performance; Three: Tobin Nellhaus, Critical Realism and Performance Strategies; PART II: Presence; Four: Philip Auslander, Humanoid Boogie: Reflections on Robotic Performance; Five: Noël Carroll, Philosophy and Drama: Performance, Interpretation, and Intentionality; Six: Suzanne M. Jaeger, Embodiment and Presence: The Ontology of Presence Recon"]
[{"$nulls":4},"Seven: Jon Erickson, PresenceEight: Robert P. Crease and John Lutterbie, Technique; Nine: Alice Rayner, Presenting Objects, Presenting Things; PART III: Reception; Ten: David Z. Saltz, Infiction and Outfiction: The Role of Fiction in Theatrical Performance; Eleven: James R. Hamilton, Understanding Plays; Twelve: Bence Nanay, Perception, Action, and Identification in the Theater; Thirteen: David Krasner, Empathy and Theater; Fourteen: Mike Sell, The Voice of Blackness: The Black Arts Movement and Logocentrism; Fifteen: Michael L. Quinn, Theatricality, "]
[{"$nulls":4},"Convention, and the Principle of Charity"]
[{"$nulls":4},"ContributorsIndex"]