{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":18,"n_cols":5,"rows_kept":18,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[11,2,11,3],[12,2,12,3],[16,2,16,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910455546203321"]
[null,null,"Autore",null,"Wright George Thaddeus"]
[null,null,"Titolo",null,"Shakespeare's metrical art [[electronic resource] /] / George T. Wright"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley, : University of California Press, 1988"]
[null,null,"ISBN",null,"1-282-35496-5"]
[{"$nulls":4},"9786612354960"]
[{"$nulls":4},"0-520-91193-8"]
[null,null,"Descrizione fisica",null,"1 online resource (366 p.)"]
[null,null,"Disciplina",null,"822.3/3"]
[null,null,"Soggetti",null,"English language - Early modern, 1500-1700 - Versification"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Preface -- 1. The Iambic Pentameter Line -- 2. Chaucer and Wyatt: Early Expressive Pentameters -- 3. The Sixteenth-Century Line: Pattern and Variation -- 4. Flexibility and Ease in Four Older Poets -- 5. An Art of Small Differences: Shakespeare's Sonnets -- 6. The Verse of Shakespeare's Theater -- 7. Prose and Other Diversions -- 8. Short and Shared Lines -- 9. Long Lines -- 10. Shakespeare's Syllabic Ambiguity: More Than Meets the Ear -- 11. Lines with Extra Syllables -- 12. Lines with Omitted Syllables -- 13. Trochees -- 14. The Play of Phrase and Line -- 15. Shakespeare's Metrical Technique in Dramatic Passages -- 16. What Else Shakespeare's Meter Reveals -- 17. Some Metrically Expressive Features in Donne and Milton -- 18. Conclusion: Verse as Speech, Theater, Text, Tradition, Illusion -- Appendix A: Percentage Distribution of Prose in Shakespeare's Plays -- Appendix B: Main Types of Deviant Lines in Shakespeare's Plays -- Appendix C: Short and Shared Lines -- Notes -- Main Works Cited or Consulted -- Index"]
[null,null,null,"Sommario/riassunto","This is a wide-ranging, poetic analysis of the great English poetic line, iambic pentameter, as used by Chaucer, Sidney, Milton, and particularly by Shakespeare. George T. Wright offers a detailed survey of Shakespeare's brilliantly varied metrical keyboard and shows how it augments the expressiveness of his characters' stage language."]