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[null,"1.","Record Nr.",null,"UNINA9910455248503321"]
[null,null,"Autore",null,"Nystrom Derek"]
[null,null,"Titolo",null,"Hard hats, rednecks, and macho men [[electronic resource] ] : class in 1970s American cinema / / Derek Nystrom"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Oxford University Press, 2009"]
[null,null,"ISBN",null,"1-282-32875-1"]
[{"$nulls":4},"9786612328756"]
[{"$nulls":4},"0-19-971432-0"]
[null,null,"Descrizione fisica",null,"1 online resource (264 p.)"]
[null,null,"Disciplina",null,"791.43635262"]
[null,null,"Soggetti",null,"Working class in motion pictures"]
[{"$nulls":4},"Rednecks in motion pictures"]
[{"$nulls":4},"Men, White, in motion pictures"]
[{"$nulls":4},"Masculinity in motion pictures"]
[{"$nulls":4},"Motion pictures - United States - History - 20th century"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Contents; Introduction: Making Class Visible in Film and Cultural Studies; PART I: HARD HATS AND MOVIE BRATS; 1 Class and the Youth-Cult Cycle; PART II: REDNECKS AND GOOD OLE BOYS: THE RISE OF THE SOUTHERN; 2 Deliverance, An Allegory of the Sunbelt; 3 Keep On Truckin': The Southern Cycle and the Invention of the Good Ole Boy; PART III: MACHO MEN AND THE NEW NIGHTLIFE FILM; 4 Saturday Night Fever and the Queering of the White, Working-Class Male Body; 5 Extra Masculinity: Looking for Mr. Goodbar and Cruising; Conclusion: Working-Class Solidarity and Its Others"]
[{"$nulls":4},"Afterword: Hard Hats Revisited: The Labor of 9/11Notes; Works Cited; Index;"]
[null,null,null,"Sommario/riassunto","Everywhere you look in 1970's American cinema, you find white working-class men. They bring a violent conclusion to Easy Rider, murdering the film's representatives of countercultural alienation and disaffection. They lurk in the Georgia woods of Deliverance, attacking outsiders in a manner that evokes the South's recent history of racial violence and upheaval. They haunt the singles nightclubs of Looking for Mr. Goodbar, threatening the film's newly liberated heroine with "]
[{"$nulls":4},"patriarchal violence. They strut through the disco clubs of Saturday Night Fever, dancing to music whose roots in..."]