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[null,"1.","Record Nr.",null,"UNINA9910455004103321"]
[null,null,"Autore",null,"Schneider Rebecca"]
[null,null,"Titolo",null,"The explicit body in performance / / Rebecca Schneider"]
[null,null,"Pubbl/distr/stampa",null,"London : , : Routledge, , [1997]"]
[null,null,"ISBN",null,"1-134-87692-0"]
[{"$nulls":4},"1-280-32159-8"]
[{"$nulls":4},"0-203-42107-8"]
[{"$nulls":4},"1-134-87693-9"]
[{"$nulls":4},"0-415-09025-3"]
[null,null,"Edizione",null,"[1st edition]"]
[null,null,"Descrizione fisica",null,"1 online resource (249 pages)"]
[null,null,"Disciplina",null,"704.9428"]
[null,null,"Soggetti",null,"Feminism and the arts"]
[{"$nulls":4},"Women in art"]
[{"$nulls":4},"Performance art"]
[{"$nulls":4},"Arts, Modern - 20th century"]
[{"$nulls":4},"Women artists - Psychology"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [213]-224) and index."]
[null,null,"Nota di contenuto",null,"Cover; The Explicit Body in Performance; Copyright; Contents; List of plates; Acknowledgments; Introduction; GHOST OF THE AVANT-GARDE; DESIRE AND THE SATIATE BODY; TWISTING THE MAP; 1 Binary terror and the body made explicit; RE-VAMPING THE GHOSTS OF MODERNISM; BESIDE HERSELF: POSTMODERN ARTISTS AND MODERN WHORES; EYE/BODY: CAROLEE SCHNEEMANN BESIDE HERSELF; 2 Logic of the twister, eye of the storm; IMPASSE: UNNATURAL ACTS; TWISTER: LOOKING INTO LOOKING OUT; 3 Permission to see; GENDER IN PERSPECTIVE: HAVE WE REALLY GONE BEYOND?; REFUSAL TO VANISH"]
[{"$nulls":4},"GHOSTLY HORRORS: LOOKING AT THE PAST, SEEING THROUGH THE BODY4 The secret's eye; NO ACCIDENT: COMMODITY BODIES; EMBODYING DISEMBODIMENT; RADICAL SEX ACTIVISM, SATIABILITY, AND THE COMMODITY; TWO-WAY STREETWALKERS; EXPLOSIVE LITERALITY; LITERAL SHROUDS AND DREAMSCAPE RE-INTERMENTS; 5 After us the savage goddess; SEEING BACK THROUGH; PRIMITIVE TECHNIQUES; DARK CONTINENCE: READING THE THRALL AND THE THREAT; DARK INCONTINENCE: UBU ROJ AND SAVAGE PRIMITMSM; DADA'S BIG DRUM: PRIMITIVISM AND THE PERFORMATIVE; HARD "]
[{"$nulls":4},"PRIMITMSM, BASE MATTER, AND THE BLIND SPOT; LITERAL PRIMITIVES; 6 Seeing the big show"]
[{"$nulls":4},"FIRST, A STORY ABOUT DOUBT THAT INCLUDES AREVE RBERATIONWHITE NOSTALGIA, AUTHENTICITY, AND THE SPLIT SUBJECT; SPIDER WOMAN: THE EARLY DAYS; VIGILANT REPETITIONS, THE COMIC TURN, AND COUNTER-MIMICRY; THE IRRUPTION OF \"\"REAL STUFF\"\" AND THE POLITIC OF SACRALITY; THE IRRUPTION OF GRANDMOTHERS AND THE REALITY OF DREAMS; Epilog: returning from the dead; Notes; Works Cited; Index"]
[null,null,null,"Sommario/riassunto","The Explicit Body in Performance interrogates the avant-garde precedents and theoretical terrain that combined to produce feminist performance art. Among the many artists discussed are: * Carolle Schneemann * Annie Sprinkle * Karen Finley * Robbie McCauley * Ana Mendieta * Ann Magnuson * Sandra Bernhard * Spiderwoman Rebecca Schneider tackles topics ranging across the 'post-porn modernist movement', New Right censorship, commodity fetishism, perspectival vision, and primitivism. Employing diverse critical theories from Benjamin to Lacan to postcolon"]