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[null,"1.","Record Nr.",null,"UNINA990000370340403321"]
[null,null,"Titolo",null,"Key. La chiave d' uso per il dizionario / a cura di Bona Schmid"]
[null,null,"Pubbl/distr/stampa",null,"Firenze, : Sansoni editore, 1991"]
[null,null,"ISBN",null,"88-383-1332-6"]
[null,null,"Descrizione fisica",null,"121 p. ; 25 cm"]
[null,null,"Disciplina",null,"428"]
[null,null,"Locazione",null,"DINCH"]
[null,null,"Collocazione",null,"04 211-91/2"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","il volume e' allegato al dizionario Inglese-Italiano Italiano-Inglese"]
[null,"2.","Record Nr.",null,"UNINA9910453115003321"]
[null,null,"Autore",null,"Thomas M. Wynn"]
[null,null,"Titolo",null,"R.S. Thomas [[electronic resource] ] : serial obsessive / / M. Wynn Thomas"]
[null,null,"Pubbl/distr/stampa",null,"Cardiff, : University of Wales Press, 2013"]
[null,null,"ISBN",null,"0-7083-2661-7"]
[{"$nulls":4},"1-299-20150-4"]
[null,null,"Descrizione fisica",null,"1 online resource (352 p.)"]
[null,null,"Disciplina",null,"821.914"]
[null,null,"Soggetti",null,"Poets, Welsh"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Acknowledgements; Illustrations; Abbreviations; Introduction; War Poet; For Wales, See Landscape; The Disappearing Clergyman; Son of Saunders; Family Matters; The Leper of Abercuawg; Irony in the Soul: R. S.(ocrates) Thomas; 'Time's Changeling'; 'The fantastic side of God'; Transatlantic Relations; 'The fast dipping brush'; 'The brush's piety'; Index"]
[null,null,null,"Sommario/riassunto","The study places the work of a major religious poet of the late twentieth century in a number of striking new perspectives that allow him to be viewed for the first time as an 'alternative' war poet, a conscience-stricken pacifist, a jealously opportunistic student of art, and an experimental biographer of the modern soul."]