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[null,"1.","Record Nr.",null,"UNINA9910452523503321"]
[null,null,"Titolo",null,"Ways ahead [[electronic resource]] : proceedings of the First International Csound Conference / / edited by Joachim Heintz, Alex Hofmann and Iain McCurdy"]
[null,null,"Pubbl/distr/stampa",null,"Newcastle, Neb., : Cambridge Scholars Pub., c2013"]
[null,null,"ISBN",null,"1-4438-5122-1"]
[null,null,"Descrizione fisica",null,"1 online resource (311 p.)"]
[null,null,"Disciplina",null,"780.285416"]
[null,null,"Soggetti",null,"Computer sound processing"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"TABLE OF CONTENTS; FOREWORD; HISTORY; CSOUND PAST, PRESENT AND FUTURE; HOW TO BECOME A CSOUND ROOT?; LICENSING CSOUND TO LGPL; DEVELOPMENT; USER-DEVELOPER ROUND TABLE I; WRITING CSOUND OPCODES IN LUA; THE CSOUND API; CSOUND AND OBJECT-ORIENTATION; THE HADRON PLUGIN AND THE PARTIKKEL OPCODE; DEVELOPING CSOUND PLUGINS WITH CABBAGE; WAVELETS IN CSOUND; MUSIC; PERFORMING WITH CSOUND; FINGERS IN THE WAVES; SPINNING PENDULUM CLOCK; RAZOR CHOPPER; ..ED IO STO AL CENTRO; GEOGRAPHIES; ZEITFORMATION; ...UND LÄCHELND IHR ÜBEL UMARMEN...; THE ECHO; TRÊS QUADROS SOBRE PEDRA; VINETA; CHEBYCHEV"]
[{"$nulls":4},"THE RITE OF JUDGMENTCSOUND HAIKU; CONTINUOUS FLOW MACHINES; USAGE; THE CSOUND JOURNAL; DEVELOPING CSOUNDQT; PYTHON SCRIPTING IN CSOUNDQT; COMPOSING CIRCUMSPECTRAL SOUNDS; CREATING REVERB EFFECTS USING GRANULAR SYNTHESIS; INTRODUCING CSOUND FOR LIVE; COMPOSING WITH BLUE; THE UDO DATABASE; EDUCATION; USER-DEVELOPER ROUND TABLE II; A PERSONAL VIEW ON TEACHING CSOUND; PWGL; QUINCE; CSOUND AT HMTM HANNOVER; THE CSOUND REAL-TIME COLLECTION; TEACHING WITH CSOUND; COLLABORATIVE DOCUMENTATION OF OPEN SOURCE MUSIC SOFTWARE; IMPRESSIONS OF THE FIRST INTERNATIONAL CSOUND CONFERENCE"]
[{"$nulls":4},"SCHEDULE OF THE FIRST INTERNATIONAL CSOUND CONFERENCEEDITORS"]
[null,null,null,"Sommario/riassunto","The first international Csound conference, held at the Hanover University of Music, Drama and Media (HMTMH) between 30th September and 2nd October 2011, marked the first time that the principal people involved with Csound - in existence since 1986 - met in person. This book documents not only the proceedings of this conference through its inclusion of the featured papers, workshop descriptions and round table summaries, but also includes interviews with developers and musicians, along with several new articles written exclusively for this publication. Reflecting the diversity of contributions"]
[null,"2.","Record Nr.",null,"UNISA996395199603316"]
[null,null,"Titolo",null,"A particular account of the late great engagement in the North of Ireland [[electronic resource] ] : With the total defeat of the Irish, and after the killing 6000 of the Irish on the place, the taking their baggage and ammunition, and the Scotch and English remaining masters of the field"]
[null,null,"Pubbl/distr/stampa",null,"London, : Printed for John Bower, 1689"]
[null,null,"Descrizione fisica",null,"1 sheet ([1] p.)"]
[null,null,"Soggetti",null,"Broadsides17th century.England"]
[{"$nulls":4},"Ireland History War of 1689-1691 Campaigns Early works to 1800"]
[{"$nulls":4},"Great Britain History William and Mary, 1689-1702 Early works to 1800"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Caption title."]
[{"$nulls":4},"Reproduction of original in: Folger Shakespeare Library."]
[null,null,null,"Sommario/riassunto","eebo-0055"]
[null,"3.","Record Nr.",null,"UNINA9910784420403321"]
[null,null,"Autore",null,"Kramer Lawrence <1946->"]
[null,null,"Titolo",null,"Why classical music still matters [[electronic resource] /] / Lawrence Kramer"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley, Calif. ; ; London, : University of California Press, 2007"]
[null,null,"ISBN",null,"1-281-75247-9"]
[{"$nulls":4},"9786611752477"]
[{"$nulls":4},"1-4294-7181-6"]
[{"$nulls":4},"0-520-93364-8"]
[{"$nulls":4},"1-4337-0967-8"]
[null,null,"Descrizione fisica",null,"1 online resource (252 p.)"]
[null,null,"Disciplina",null,"781.68"]
[null,null,"Soggetti",null,"Music - Philosophy and aesthetics"]
[{"$nulls":4},"Musical analysis"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- In Lieu Of A Preface -- Chapter One. Classical Music And Its Values -- Chapter Two. The Fate Of Melody And The Dream Of Return -- Chapter Three. Score And Performance, Performance And Film: Classical Music As Liberating Energy -- Chapter Four. But Not For Me: Love Song And The Heartache Of Modern Life -- Chapter Five. The Ghost In The Machine: Keyboard Rhapsodies -- Chapter Six. Crisis And Memory: The Music Of Lost Time -- Chapter Seven. Persephone's Fiddle: The Value Of Classical Music -- References -- Index"]
[null,null,null,"Sommario/riassunto","\"What can be done about the state of classical music?\" Lawrence Kramer asks in this elegant, sharply observed, and beautifully written extended essay. Classical music, whose demise has been predicted for at least a decade, has always had its staunch advocates, but in today's media-saturated world there are real concerns about its viability. Why Classical Music Still Matters takes a forthright approach by engaging both skeptics and music lovers alike. In seven highly original chapters, Why Classical Music Still Matters affirms the value of classical music-defined as a body of nontheatrical music produced since the eighteenth century with the single aim of being listened to-by revealing what its values are: the specific beliefs, attitudes, and meanings that the music has supported in the past and which, Kramer believes, it can support in the "]
[{"$nulls":4},"future. Why Classical Music Still Matters also clears the air of old prejudices. Unlike other apologists, whose defense of the music often depends on arguments about the corrupting influence of popular culture, Kramer admits that classical music needs a broader, more up-to-date rationale. He succeeds in engaging the reader by putting into words music's complex relationship with individual human drives and larger social needs. In prose that is fresh, stimulating, and conversational, he explores the nature of subjectivity, the conquest of time and mortality, the harmonization of humanity and technology, the cultivation of attention, and the liberation of human energy."]