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[null,"1.","Record Nr.",null,"UNINA9910452169403321"]
[null,null,"Autore",null,"Cohen Tom <1953->"]
[null,null,"Titolo",null,"War machines [[electronic resource] /] / Tom Cohen"]
[null,null,"Pubbl/distr/stampa",null,"Minneapolis, : University of Minnesota Press, c2005"]
[null,null,"ISBN",null,"0-8166-9491-5"]
[null,null,"Descrizione fisica",null,"1 online resource (318 p.)"]
[null,null,"Collana",null,"Hitchcock's cryptonymies ; ; 2"]
[null,null,"Disciplina",null,"791.4302/33"]
[null,null,"Soggetti",null,"Spy films - History and criticism"]
[{"$nulls":4},"War films - History and criticism"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Contents; Acknowledgments; Preface; Introduction: Hitchcock's Esperanto; Part I. Travel Service Window; 1. Transports; 2. Combined Ops: The Postal Politics of Bon Voyage!; Part II. Prehistory of the Afterlife of Cinema; 3. A Performativity without Frame; 4. \"\"How Old Is Mae West?\"\"; 5. Phoenix Rex: The Passing of Oedipus in Hitchcock; Part III. Jump Cuts; 6. Time Machines; 7. Matrixide; Part IV. The Black Sun; 8. Prosthesis of the Visible; 9. Upping the Ante: A Deauratic Cinema; 10. Hitchcock's Light Touch; Coda: Trouble at the Séance; Notes; Index of Films; A; B; D; E; F; I; J; L; M; N; P; R"]
[{"$nulls":4},"ST; V; W; Y"]
[null,null,null,"Sommario/riassunto","This second volume of Hitchcock's Cryptonomies presents the director's works as a radical collage of images and absences, letters and numbers, citations and sounds that together mark Hitchcock as a knowing figure who was entirely aware of his-and cinema's-place at the dawn of a global media culture, as well as of the cinema's revolutionary impact on perception and memory."]